{"title":"Chandler Limited","description":"Spawned from the love of classic British recording equipment, Chandler Limited quickly made a name for themselves by offering dead-accurate reproductions of classic outboard gear. Sparing no expense, Chandler Limited gained great popularity by offering hand-wired compressors from the original 2254 designs, even implementing the original transformers and wiring techniques. \u003cbr\u003e \u003cbr\u003e Now offering an EMI Abbey Road line, Chandler Limited has been designated as the only maker in the world trusted to develop and manufacture the official equipment of the legendary EMI Abbey Road Studios. With painstaking dedication to reproducing classic equipment exactly according to spec, it’s no wonder recording engineers rave daily about their Chandler Limited classic pieces, like the LTD-2, TG2, and Zener Limiter.","products":[{"product_id":"chandler-audio-little-devil-compressor","title":"Chandler Limited Little Devil Compressor","description":"\u003cp\u003eCHANDLER LIMITED furiously enters the 500 race with its line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler’s best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level!\u003c\/p\u003e\n\u003cp\u003eThe Little Devil Compressor is a mixture of all that is Chandler. It combines elements of our LTD-2 and Germanium Compressor, as well as 2264 and 33609 units, into an all new compressor for a 500 format. Discrete transformer sound and handmade quality are the make up of the Devil Comp.\u003c\/p\u003e\n\u003cp\u003eIf you like any of the units that inspired it, you will enjoy seeing those sounds come to the next level. Revolutionary controls like wet\/dry, sidechain filter, and curve selection make the unit extremely flexible. When combined with its intense tone, this compressor gives you a powerful package in a small box!\u003c\/p\u003e\n\u003cp\u003ePlease note that all Devils feature increased compatibility! No power issues here!\u003c\/p\u003e\n\u003cp\u003eLittle Devil EQs and Little Devil Compressors have been upgraded to eliminate the power conflict experienced with some 3rd party racks and lunchboxes. The upgrade has been tested in the racks listed above. Any Little Devil EQ or Little Devil Compressor with compatibility issues can be returned to Chandler Limited for a free upgrade (parts and labor), however, Chandler Limited will not cover shipping costs.\u003c\/p\u003e\n\u003cp\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks:\u003c\/p\u003e\n\u003cp\u003eAPI 500V 10-slot with L200 PSU;\u003c\/p\u003e\n\u003cp\u003eAPI 500-6B Lunchbox;\u003c\/p\u003e\n\u003cp\u003eAPI 500-6B HC “new version”Lunchbox;\u003c\/p\u003e\n\u003cp\u003eBAE 11-slot with power one supply;\u003c\/p\u003e\n\u003cp\u003eBAE 6-slot portable with power one supply;\u003c\/p\u003e\n\u003cp\u003eBAE 6-slot with Avedis designed supply;\u003c\/p\u003e\n\u003cp\u003eA-Designs 2-slot;\u003c\/p\u003e\n\u003cp\u003ePurple Sweet 10;\u003c\/p\u003e\n\u003cp\u003eEmpirical Labs 2-slot.\u003c\/p\u003e\n\u003cp\u003e\u003ccite\u003eLittle Devil Compressor Technical Specifications\u003c\/cite\u003e\u003c\/p\u003e\n\u003cdiv class=\"at-above-post-arch-page addthis_tool\" data-url=\"https:\/\/chandlerlimited.com\/technical-specifications\/little-devil-compressor-technical-specifications\/\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eFORMAT: 500 Series\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor, Transformer Balanced\u003c\/p\u003e\n\u003cp\u003eBYPASS: Hardwire\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: 500 Series Enclosure\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Chandler Limited Little Devil Compressor","offer_id":32208873881732,"sku":"","price":2229.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/little_devil_compressor.jpg?v=1581742186"},{"product_id":"chandler-audio-little-devil-preamp","title":"Chandler Limited Little Devil PreAmp","description":"\u003cp\u003eCHANDLER LIMITED furiously enters the 500 race with its new line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler’s best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level!\u003c\/p\u003e\n\u003cp\u003eWe’ve been told by beta testers that this might be the best piece of Chandler gear yet! What makes the Little Devil Pre so special? Well, several things.\u003c\/p\u003e\n\u003cp\u003eThe Class A gain stage sounds like no other design we’ve done. It’s big, yet open and full of life. Just about any parameter of the sound is changeable including the ability to change both the Feedback and Bias of the amplifier. The Feedback control increases harmonics thousands of times over the range of the control. The nature of clipping and distortion also changes and ranges from soft Class A clipping to super soft gushy tube type. The sounds range from a very colored and “overbiased” tone to a gently colored and “in your face” tone.\u003c\/p\u003e\n\u003cp\u003eOther features of the Little Devil Pre include High and Low input impedance; transformer balanced line in for using the Devil as a color box on mixes or tracks; low cut; bright switch and more! This unit has no power-up issues with lunchboxes and rack systems.\u003c\/p\u003e\n\u003cp\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks:\u003c\/p\u003e\n\u003cp\u003eAPI 500V 10-slot with L200 PSU;\u003c\/p\u003e\n\u003cp\u003eAPI 500-6B Lunchbox;\u003c\/p\u003e\n\u003cp\u003eAPI 500-6B HC “new version” Lunchbox;\u003c\/p\u003e\n\u003cp\u003eBAE 11-slot with power one supply;\u003c\/p\u003e\n\u003cp\u003eBAE 6-slot portable with power one supply;\u003c\/p\u003e\n\u003cp\u003eBAE 6-slot with Avedis designed supply;\u003c\/p\u003e\n\u003cp\u003eA-Designs 2-slot;\u003c\/p\u003e\n\u003cp\u003ePurple Sweet 10; \u003c\/p\u003e\n\u003cp\u003eEmpirical Labs 2-slot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ccite\u003eLittle Devil Pre Amp Technical Specifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"at-above-post-arch-page addthis_tool\" data-url=\"https:\/\/chandlerlimited.com\/technical-specifications\/little-devil-pre-amp-technical-specifications\/\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eFORMAT: 500 Series\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Class A, Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eGAIN: max 66.5db\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: 500 Series Enclosure\u003cbr\u003e Mic Input, Transformer Balanced, Input Impedance: 300 Ohm or 1200 Ohm\u003cbr\u003e Line input, Transformer Balanced, Input Impedance: 10k\u003cbr\u003e DI: 1\/4\" Unbalanced\u003c\/p\u003e\n\u003cp\u003ePHANTOM POWER: +48v\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Chandler Limited Little Devil PreAmp","offer_id":32208874143876,"sku":"","price":2099.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/littledevilpreamp.jpg?v=1581742190"},{"product_id":"chameleon-labs-581-500-series-microphone-preamplifier","title":"Chandler Limited Curve Bender","description":"\u003cp\u003eThe 581 is a 500 series, discrete, Class ‘AB’ mic preamp module with an extraordinary sonic signature never before obtained at this price level.\u003c\/p\u003e\n\u003cp\u003eIts clarity and incredibly solid low end is reminiscent of renowned classic designs. Rich, warm, and musical, the 581 provides detailed results.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e* Discrete Class AB Circuit\u003c\/p\u003e\n\u003cp\u003e* API® 500 series compatible card\u003c\/p\u003e\n\u003cp\u003e* Powered by CPS-501 Powered Chassis or any 500 series compatible power supply\u003c\/p\u003e\n\u003cp\u003e* Fully balanced transformer mic input which can be upgraded to a vintage style Carnhill® unit\u003c\/p\u003e\n\u003cp\u003e* Transformer balanced output\u003c\/p\u003e\n\u003cp\u003e* 300 Ohms or 1.2K Ohms mic input selector\u003c\/p\u003e\n\u003cp\u003e* 48VDC phantom power selector\u003c\/p\u003e\n\u003cp\u003e* Hi-Z Direct Input for instruments on the front panel\u003c\/p\u003e\n\u003cp\u003e* Output level control functions as a fader when going straight to D.A.W. or tape\u003c\/p\u003e\n\u003cp\u003e* LED illuminated push buttons for visual confirmation\u003c\/p\u003e\n\u003cp\u003e* LED Metering (Power, Signal, +4dB, Peak)\u003c\/p\u003e","brand":"OceaniaAudio","offers":[{"title":"Default Title","offer_id":32208875520132,"sku":"","price":449.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/chameleonlabs581.jpg?v=1581742171"},{"product_id":"chandler-limited-redd-microphone","title":"Chandler Limited REDD Microphone","description":"\u003cp data-mce-fragment=\"1\"\u003eContinuing in the rich tradition of innovation at EMI, dating back to the early 1930s with Alan Blumlein, the father of ‘Stereo’, the company’s first coil microphones, velocity ‘ribbon’ mics and the “Blumlein pair” technique, Chandler Limited and Abbey Road Studios introduce the first new EMI badged microphone in over a half century, the ‘REDD Microphone’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesigned by Chandler Limited Founder and Chief Designer, Wade Goeke, the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/chandlerlimited.com\/redd-microphone\/#patent-number\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/chandlerlimited.com\/redd-microphone\/#patent-number\"\u003epatented REDD Microphone\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003erepresents a shift in traditional microphone design, bringing together historic circuitry and the heralded EMI REDD.47 preamplifier sound in a new and unique way.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVisually, the aesthetic is unmistakably classic, an ode to a gilded age of audio; however, the REDD Microphone is not a U-Type clone or derivative of any other microphone.\u003c\/p\u003e\n\u003cp\u003eThe Chandler Limited REDD Microphone is a large diaphragm tube condenser microphone, combining mic and preamp into a single, beautifully handcrafted professional recording device. Featuring the vacuum tube based\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/chandlerlimited.com\/redd-47-preamp\/\" target=\"_blank\"\u003eREDD.47 Mic Amplifier\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecircuit directly coupled to a custom handmade premium platinum membrane capsule,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cu\u003ethe REDD Microphone can be used with or without an external preamplifier.\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis new and unique microphone design, fusing the mic capsule to the historic REDD.47 line amplifier circuit, provides the shortest possible distance between the two most important elements in the recording chain.\u003c\/p\u003e\n\u003cp\u003eThe proximity of the REDD Microphone’s custom capsule to the internal tube mic preamp, allows it to deliver a larger than life full-bodied sound, with a velvety smooth top-end.\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\"\u003e\n\u003cdiv class=\"wps-helper\"\u003eRigorously tested at Abbey Road Studios on a variety of sources and against some of the most famous and classic microphones in recording industry history, the REDD microphone excelled.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eAbbey Road’s former Chief Engineer, Peter Cobbin-\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"During the development I have had the opportunity to road test this mic on the best of acoustic applications.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAbbey Road has one hell of a mic collection and by making comparisons to other legendary and vintage microphones\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ehas given us a serious benchmark to work to.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTypically for recording an artist like Sting I would use 3 classic microphones and choose the best.  For recording rare Stradivarius cellos worth millions I would reach for something really special. On almost every application from acoustic guitars, hand percussion, vocal artists to full symphonic orchestras,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ein my comparative testing The REDD mic shines above them all.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe  Chandler Limited REDD Microphone was designed to handle a variety of source material, including: vocals, strings, piano, drums, bass guitar, electric and acoustic guitars.\u003c\/p\u003e\n\u003cp\u003eFeatures available from the microphone body, include:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/chandlerlimited.com\/redd-47-preamp\/\" target=\"_blank\"\u003eREDD.47 Mic Amplifier\u003c\/a\u003e, providing nine gain selections, from +4 to +33db in the ‘NORM’ position, extended gain and punch in ‘DRIVE’ mode for more tonal and coloration possibilities, switchable Cardioid\/Omni patterns, 10db Pad, and Phase reverse. Continuous output and low-contour control are accessible from the high-quality external power supply.\u003c\/p\u003e\n\u003cp\u003eShockmount, 25’ Mogami microphone cable, PSU, and custom molded flight case, featuring high-density rigid foam, are included.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41182786027687,"sku":"","price":10499.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/Chandler_Limited_REDD_Microphone_01.png?v=1630883407"},{"product_id":"chandler-limited-tg-microphone","title":"Chandler Limited TG Microphone","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Chandler Limited EMI Abbey Road Studios ‘TG Microphone’ is a solid-state large diaphragm condenser microphone. Continuing the rich tradition of innovation, the TG Microphone is unique in its feature-set, isn’t a clone of any other microphone, and as the name implies, the sound is TG.\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"wps-helper\" data-mce-fragment=\"1\"\u003eThe TG Microphone’s unique on-board EMI ‘Tape Equalizer’ section combined with its ‘Dual Tone System,’ dual frequency low-cut filter, dedicated power supply unit (PSU) and other features create an extremely flexible microphone capable of rivaling scenarios where the C414, FET47, U87, and U47 traditionally have found favor.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe on-board Tape Equalizer is adapted from the NAB\/IEC tape equalizer facility found on vintage EMI TG12410 transfer consoles or mastering consoles, and applied with great effect in the TG Microphone. Historically used to compensate for tapes played back on machines of the opposite standard, the repurposed tape equalizer allows the engineer to shape the sound at the source and mitigates the need for downstream processing.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Dual Tone System modifies the input stage of the TG Microphone and extends the versatility of the microphone to accommodate a greater array of sources. System ‘A’ is what you’d expect, TG mid forward, while the alternate ‘B’ voicing is more pristine, takes extreme SPLs and is at home wherever a FET47 would be the choice.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe microphone’s specialized Low-Cut filter in combination with Tape Equalizer work together to create a super-set of 5 additional tonal variations available from the mic. The Low-Cut filter is frequency selectable at 90 Hz or 50 Hz.\u003c\/p\u003e\n\u003cp\u003eMuch like tube microphones, the TG Microphone relies on a dedicated PSU. The use of a dedicated PSU, rather than 48V phantom power, is integral to the TG Microphone’s larger than solid-state sound.\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\"\u003e\n\u003cdiv class=\"wps-helper\"\u003eThe TG Microphone makes use of multiple TG amplifier circuits, however, unlike the heralded REDD Microphone, does not feature an internal preamp.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eOther features include: cardioid and omni patterns, and a 10 dB pad.\u003c\/p\u003e\n\u003cp\u003eShockmount, 25’ Mogami 4-pin mic cable, dedicated PSU, and wooden case are included.\u003c\/p\u003e\n\u003cp\u003eTG HISTORY\u003cbr\u003eConceived from meetings in 1967 between Abbey Road engineers and EMI’s Central Research Laboratories technical team, the EMI TG12345 desk (later known as the Mark I), would usher in a sea change in sound and flexibility at Abbey Road Studios.\u003c\/p\u003e\n\u003cp\u003eThe new transistorized EMI TG12345 recording console was modular in design, with twelve dual channel microphone cassettes. The TG desks featured expanded EQ, and for the first time ever, a compressor\/limiter on every channel.\u003c\/p\u003e\n\u003cp\u003eInstalled in Abbey Road’s Studio Two in November 1968 and making its debut on an 8-track recording by the Shadows, the new transistor desk marked a departure from the earlier REDD valve consoles. The following year, the EMI TG12345 desk helped shape the sound of the Beatles’ final album, Abbey Road, which was markedly richer sounding to that of the band’s earlier work. The sonic qualities of classics like “Here Comes the Sun,” “Come Together” and “Something” would have been very different without the EMI TG12345.\u003c\/p\u003e\n\u003cp\u003eThe desk encountered many revisions throughout the ‘70s and became the main recording console used throughout the studios until 1983. The EMI TG12345 console Marks I–IV were used on everything from Pink Floyd’s The Dark Side of the Moon and Wish You Were Here to John Lennon’s Plastic Ono Band, George Harrison’s All Things Must Pass to epic film scores including Raiders of the Lost Ark.\u003c\/p\u003e\n\u003cp\u003eEMI TG12410 transfer consoles or mastering consoles, are still in use today at Abbey Road Studios.\u003c\/p\u003e\n\u003cp\u003eThe EMI TG12345 recording consoles and TG12410 Transfer Consoles were never commercially available to the public.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41182790713511,"sku":"","price":4175.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/Chandler_Limited_TG_Microphone_01_rollover.png?v=1630883551"},{"product_id":"chandler-limited-redd-47-mic-amplifier","title":"Chandler Limited REDD.47 Mic Amplifier","description":"\u003cp data-mce-fragment=\"1\"\u003eChandler Limited’s REDD.47 Mic Amplifier is a recreation of the original valve line amplifiers used in Abbey Road Studios’ heralded and rare EMI REDD.51 recording consoles circa 1959-1968.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesigned as a central component to the EMI REDD.51 recording console, the original REDD.47 line amplifier was used to amplify virtually every stage of the audio path (mic inputs, line inputs, echo sends and monitors).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe REDD.47 lent its unmistakably punchy, aggressive character to music recorded at Abbey Road Studios' Studio Two between 1964 and 1968, including many tracks by The Beatles.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Chandler Limited REDD.47 Mic Amplifier offers many additional benefits to the original design including increased gain, allowing a range of tonal options from pristine clean sound to classic rich, saturated tone with up to 2% harmonic distortion before clipping. The Chandler Limited REDD.47 preamp easily reproduces the distortions heard on The Beatles’ ‘Revolution.’\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eChandler Limited’s REDD.47 tube microphone preamplifier delivers the legendary sound of Abbey Road Studios’ ‘Holy Grail’ preamp, with extra features to meet today’s recording studio standards.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41182798184615,"sku":"","price":5125.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/chandler_limited_redd_47_pre_amp_01.png?v=1630883758"},{"product_id":"chandler-limited-rs124-compressor","title":"Chandler Limited RS124 Compressor","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Chandler Limited RS124 Compressor is a recreation of one of the most coveted audio valve compressors of all time, the legendary EMI\/Abbey Road RS124, reimagined for use in the modern studio environment.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFirst designed in 1960 by Abbey Road Head of Technical Bill Livy, Deputy Head Len Page and seasoned EMI Audio Designer Mike Bachelor, the Abbey Road RS124 compressor is one of the most desired and mysterious pieces of recording gear ever developed.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn out of the insufficient Altec 436Bs acquired by EMI in the late 1950s for Abbey Road, the RS124 compressor is most closely associated with recordings made by The Beatles at Abbey Road Studios. Present on virtually every Beatles session, the RS124 left its remarkable signature across most of the catalog.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe RS124's undeniably smooth character and ability to tame transients without muffling the sound at steep compression levels, quickly became popular with Abbey Road Studios engineers and widely used throughout the now historic studio, for tracking, buss compression, mixing, and mastering. They were so integral to the recording and mixing process that a pair can be seen in almost every control room photo in Abbey Road Studios during the 60s period.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe RS124 Compressor was built for use at Abbey Road Studios, and was never commercially available.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThrough the years, from incomplete information and supposition, some have tried to recreate the holy grail of tube compressors, though never fully capturing the elusive Abbey Road RS124 in all its glory.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSchematics themselves only told part of the story, and access to Abbey Road Studios’ historic units and various hand written modification notes would prove paramount towards understanding the true nature of the Abbey Road RS124 compressor and variances between units.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMany revisions were carried out since its inception, and as a result, the Abbey Road RS124 valve compressor has remained a mystery for decades, until now.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAvailable now, for the first time ever, the Chandler Limited RS124 Compressor harnesses the sound and personalities of Abbey Road Studios’ favorite historic RS124 Compressors (Ser. No’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e60070B\u003c\/strong\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e60050A\u003c\/strong\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e61010B\u003c\/strong\u003e) still in use at the famed studio to this day, all in a single unit.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlong with features traditionally found on the original counterparts, Input control, Output attenuation, ‘Recovery’ (release) control and the unique ‘HOLD’ setting, the Chandler Limited RS124 Compressor includes modern facilities such as adjustable attack, selectable output impedance, and a special twist, dubbed the ‘SuperFuse’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBring home the sound of a legend reimagined for the modern era, today.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNOTE:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eStandard units come with variable Input and Output control. Stepped Input and Output controls are available via special request for an additional fee– notify your dealer prior to order.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41182807785639,"sku":"","price":7099.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/chandler_limited_rs124_compressor_01.png?v=1630883978"},{"product_id":"chandler-limited-tg1-limiter","title":"Chandler Limited TG1 Limiter","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late '60s. These rare pieces were never commercially available, and only EMI owned studios had access to them. The TG1 Limiter was originally designed to be like the Fairchild 660\/670 which was loved by many EMI engineers including Geoff Emerick, but it ended up with its own very special sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTG equipment was used on many classic records. The Limiter was featured on every channel of TG consoles used to record The Beatles \"Abbey Road\" and Pink Floyd \"Dark Side of the Moon,\" in addition to albums by Paul McCartney and the Rolling Stones.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Limiter\/Compressor features an all discrete circuit with transformer balanced input and output. The limiting element is a rarely seen diode network that produces smooth, pleasing distortion. The warm open sound, often compared to a Fairchild 670 set to stun, is very audible and squishy sounding while maintaining its clarity and high frequency response.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTG1 Updates \u0026amp; Modifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHarmonic Distortion Function\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNow standard on all Abbey Road Special Edition TG-1's, this option allows bypassing of the compressor\/limiter threshold but leaves all circuits in the signal path, turning the unit into a powerful Harmonic Distortion generator capable of kicking out up to 2% Total Harmonic Distortion. That's more than 2 times the amount of analog tape! And all with 100% discrete transformer balanced circuits. Adjust the input for amount of THD and the output to match level. Try running Distortion on one channel and hard limiting on the other. The ultimate in retro! This option is placed on the front panel of the unit with a toggle switch for each channel.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41182819844263,"sku":"","price":8575.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/57588_1.jpg?v=1630884317"},{"product_id":"chandler-limited-tg2-pre-amp-di","title":"Chandler Limited TG2 Pre Amp\/DI","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Chandler Limited TG2 Pre Amp\/DI is a recreation of the rare EMI TG12428 pre amp used in EMI\/Abbey Road recording and mastering consoles in the late 60s and early 70s. The sound was used on many famous recordings done at Abbey Road including The Beatles \"Abbey Road\" and Pink Floyd \"Dark Side of the Moon.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis microphone pre-amplifier features the same discrete transformer balanced amplifiers as the TG series limiter and offers a creamy, smooth tone with a surprisingly open, clear top end. The sound, as explained by many users, has \"warmth\" and punch, but with a \"beautiful\" expanded top end. In fact, the unit does have a small rise in its top-end frequency response and some warmth inducing distortion, which contribute to its sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOptions: Stepped Output (Stereo)\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41182846812327,"sku":"","price":5099.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/chandler-tg2-kmr_audio-133.jpg?v=1630884552"},{"product_id":"chandler-limited-tg2-500-pre-amp-1","title":"Chandler Limited TG2-500 Pre Amp","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Chandler Limited TG2-500 pre-amp is a recreation of the rare EMI TG12428 pre amp used in EMI\/Abbey Road Studios recording and mastering consoles from the late 60s and early 70s. The sound of the EMI\/Abbey Road Studios equipment is world renowned, and imparts a unique and pleasing sonic character as heard on many famous recordings done at Abbey Road including The Beatles’ “Abbey Road” and Pink Floyd’s “Dark Side of the Moon” albums. For the first time ever, the legendary TG2 pre-amp sound is available in 500 Series format.\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"wps-helper\" data-mce-fragment=\"1\"\u003eThe TG2-500 microphone pre-amplifier features the same discrete, transformer-balanced amplifiers as Chandler Limited’s TG series: TG2 Pre Amp\/DI, TG Microphone Cassette, TG12411 Channel (TG Channel MKII), and TG1 Limiter.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe’ve taken the microphone pre-amplifier and line amplifier from our highly acclaimed TG2 Pre Amp\/DI and packaged it for the industry standard 500 Series format, while retaining the sound of Chandler Limited’s TG2 Pre Amp\/DI. The aural quality has often been characterized as a creamy, smooth tone with a surprisingly open, clear top-end. The sound, as explained by many users, has \"warmth\" and punch, but with a \"beautiful\" expanded top end. In fact, the TG2-500 microphone preamplifier does have a small rise in its top-end frequency response and some warmth inducing distortion, which contributes to its sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBring the sound of the Chandler Limited TG2-500 pre amp and EMI\/Abbey Road Studios home to your 500 Series rack today.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41182859002023,"sku":"","price":2099.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/Chandler_Limited_TG2-500_Pre_Amp_01_rollover_2.png?v=1630884701"},{"product_id":"chandler-limited-tg-opto-compressor","title":"Chandler Limited TG Opto Compressor","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Chandler Limited TG Opto compressor is a handmade, fully discrete, mono, dual space module, designed for the 500 Series format.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe TG Opto for 500 Series is a relative of the TG1 Opto, found in Chandler Limited’s TG Microphone Cassette, the TG1 Limiter and Zener Limiter, and traces its lineage to the historic EMI TG12413 limiters found on the TG12345 mixing and mastering consoles of the late ‘60s and early ‘70s.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe TG Opto compressor control-set includes: selectable sharp and rounded knees, continuous input, output (makeup gain), attack, release, and true bypass.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe attitude of the TG Opto is one of two personalities, each actuated by the selectable sharp and rounded knee types. In sharp, the TG Opto is capable of explosive drum sounds, and set to rounded, it is well suited to scenarios where the artifact of compression is required to be less obvious or gentle.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe continuous control-set affords the ability to fine-tune compression to respond to an array of sources and create a variety of tones.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCreate your own TG console channel today by adding the TG Opto compressor, TG2-500 preamp and TG12345 MKIV equalizer to your 500 Series rack!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTG HISTORY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConceived from meetings in 1967 between Abbey Road engineers and EMI’s Central Research Laboratories technical team, the EMI TG12345 desk (later known as the Mark I), would usher in a sea change in sound and flexibility at Abbey Road Studios.\u003cbr\u003eThe new transistor based EMI TG12345 recording console was modular in design, with twelve dual channel microphone cassettes. The TG desks featured expanded EQ, and for the first time ever, a compressor\/limiter on every channel. The compressor was originally supposed to replicate the sound and behavior of the Fairchild 660 and RS124 tube devices, but ended up with a completely unique character.\u003c\/p\u003e\n\u003cp\u003eInstalled in Abbey Road’s Studio Two in November 1968 and making its debut on an 8-track recording by the Shadows, the new transistor desk marked a departure from the earlier REDD valve consoles. The following year, the EMI TG12345 desk helped shape the sound of the Beatles’ final album, Abbey Road, which was markedly richer sounding to that of the band’s earlier work. The sonic qualities of classics like “Here Comes the Sun,” “Come Together” and “Something” would have been very different without the EMI TG12345.\u003c\/p\u003e\n\u003cp\u003eThe desk encountered many revisions throughout the ‘70s and became the main recording console used throughout the studios until 1983. The EMI TG12345 console Marks I–IV were used on everything from Pink Floyd’s The Dark Side of the Moon and Wish You Were Here to John Lennon’s Plastic Ono Band, George Harrison’s All Things Must Pass to epic film scores including Raiders of the Lost Ark.\u003c\/p\u003e\n\u003cp\u003eThe EMI TG12345 recording consoles were never commercially available to the public.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41182877384871,"sku":"","price":2499.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/Chandler_Limited_TG_Opto_Compressor_01_rollover_7.png?v=1630885099"},{"product_id":"chandler-limited-tg12345-mkiv-eq","title":"Chandler Limited TG12345 MKIV EQ","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Chandler Limited TG12345 MKIV equalizer is a handmade, fully discrete, mono, single space module, designed for the 500 Series format.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe TG12345 MKIV EQ for 500 Series, inherits from Chandler Limited’s TG Microphone Cassette and flagship TG12345 Curve Bender, and draws its heritage from the input and group channel equalizers found on historic EMI TG12345 recording consoles of the late ‘60s and early ‘70s.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe TG12345 MKIV control-set includes: presence and bass bands, with continuous boost\/cut, and true bypass.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe presence band is switchable, featuring eight frequencies and an out position. The first seven frequencies are bell type, and the eighth is a shelf at 10 kHz.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe bass band is a shelving type, featuring two frequency options, 90 or 150 Hz.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe remarkable character of the TG12345 MKIV EQ is silky smooth and the sound is Curve Bender sweet.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCreate an EMI TG console channel today by adding the TG12345 MKIV EQ, TG Opto compressor and TG2-500 preamp to your 500 Series rack!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eChandler Limited is the only company in the world authorized to develop, manufacture and market the “Official Equipment” of EMI\/Abbey Road Studios.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTG HISTORY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConceived from meetings in 1967 between Abbey Road engineers and EMI’s Central Research Laboratories technical team, the EMI TG12345 desk (later known as the Mark I), would usher in a sea change in sound and flexibility at Abbey Road Studios.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe new transistor based EMI TG12345 recording console was modular in design, with twelve dual channel microphone cassettes. The TG desks featured expanded EQ, and for the first time ever, a compressor\/limiter on every channel.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInstalled in Abbey Road’s Studio Two in November 1968 and making its debut on an 8-track recording by the Shadows, the new transistor desk marked a departure from the earlier REDD valve consoles. The following year, the EMI TG12345 desk helped shape the sound of the Beatles’ final album, Abbey Road, which was markedly richer sounding to that of the band’s earlier work. The sonic qualities of classics like “Here Comes the Sun,” “Come Together” and “Something” would have been very different without the EMI TG12345.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe desk encountered many revisions throughout the ‘70s and became the main recording console used throughout the studios until 1983. The EMI TG12345 console Marks I–IV were used on everything from Pink Floyd’s The Dark Side of the Moon and Wish You Were Here to John Lennon’s Plastic Ono Band, George Harrison’s All Things Must Pass to epic film scores including Raiders of the Lost Ark.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41182888558759,"sku":"","price":2299.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/Chandler_Limited_TG12345_MKIV_EQ_01_rollover.png?v=1630885285"},{"product_id":"chandler-limited-tg-microphone-cassette","title":"Chandler Limited TG Microphone Cassette","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Chandler Limited TG Microphone Cassette is a full-featured mixing console channel strip, incorporating elements of the historic EMI\/Abbey Road Studios TG12345 recording and mastering desks of the late ‘60s and ‘70s.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTG MICROPHONE CASSETTE\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eChandler Limited’s critically acclaimed TG1 Limiter, TG2 Pre-Amp, and Curve Bender EQ, each known for their remarkable reproduction of the EMI TG sound, have been combined to form the ultimate TG Microphone Cassette reimagined to work in a modern recording studio context.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePRE-AMP\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe pre-amp section of the TG Microphone Cassette makes use of the Chandler Limited TG2 pre-amplifier based on the vintage EMI TG12428. The TG2 pre-amp section includes switchable coarse and variable fine gain adjustment controls for up to +70db overall gain, selectable LINE, DI, 48V phantom power, phase reverse, and switchable rumble filter (low cut.)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe TG2 pre-amp section is coupled directly to the Curve Bender equalizer section.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEQ\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe TG Microphone Cassette’s equalizer section is derived from the famed and greatly expanded Chandler Limited EMI TG12345 Curve Bender EQ. The Curve Bender EQ section provides Hi and Low shelf, frequency selectable presence, output control, and bypass functionality.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Curve Bender EQ section is the second stage of the TG2 pre-amp section, and the EQ output control works as a fader would on a console.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCOMPRESSOR\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe compressor section of the TG Microphone Cassette is a special adaptation of the Chandler Limited TG1 Limiter tracing its lineage to the historic EMI TG12413 mixing and mastering console limiters.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEMI technical engineers experimented with the use of optos in their audio compressors, and now for the first time ever Chandler Limited introduces the TG1 Opto compressor.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe TG1 Opto compressor section of the TG Microphone Cassette is fully independent and separately patchable (via standard XLR connection) apart from the TG2 Pre Amp \/ Curve Bender EQ section, allowing for use of the compressor\/limiter individually on sources. An XLR cable (purchased separately) is required to patch the TG1 Opto compressor into the Cassette's chain.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe TG1 Opto is stereo linkable to a second unit via a standard ¼” cable.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe TG1 Opto compressor's feature-set includes: Hold, Attack, Release, selectable sharp\/rounded knee, output or makeup gain, and true bypass.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePOWER\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTG HISTORY\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003eConceived from meetings in 1967 between Abbey Road engineers and EMI’s Central Research Laboratories technical team, the EMI TG12345 desk (later known as Mark I) would usher in a sea change in sound and flexibility at Abbey Road Studios.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe new transistor based EMI TG12345 recording console was modular in design, with twelve dual channel microphone “cassettes.” The TG desks featured expanded EQ, and for the first time ever, a compressor\/limiter on every channel. The compressor was originally supposed to replicate the sound and behavior of the Fairchild 660 and RS124 tube devices, but ended up with a completely unique sound in its own right.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInstalled in Abbey Road’s Studio Two in November 1968 and making its debut on an 8-track recording by the Shadows, the new transistor desk marked a departure from the earlier REDD valve consoles. The following year, the EMI TG12345 desk helped shape the sound of the Beatles’ final album, Abbey Road, which was markedly richer sounding to that of the band’s earlier work. The sonic qualities of classics like “Here Comes the Sun,” “Come Together” and “Something” would have been very different without the EMI TG12345.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe desk encountered many revisions throughout the ‘70s and became the main recording console used throughout the studios until 1983. The EMI TG12345 console Marks I–IV were used on everything from Pink Floyd’s The Dark Side of the Moon and Wish You Were Here to John Lennon’s Plastic Ono Band, George Harrison’s All Things Must Pass to epic film scores including Raiders of the Lost Ark.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe EMI TG12345 was never commercially available to the public.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41182909857959,"sku":"","price":6265.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/chandler_limited_tg_microphone_cassette_01.png?v=1630885497"},{"product_id":"chandler-limited-tg12411-channel","title":"Chandler Limited TG12411 Channel","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Chandler Limited TG12411 channel, formerly known as the TG Channel MKII, is a recreation of several classic circuits - combining Wade Goeke's design of the TG2 pre amp section with an equalizer that was redesigned from a circuit used in the TG12410 Transfer Console, the mastering counterpart to the original \"Beatles desks.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe active portions of the unit use the same discrete amplifiers and transformers as in the TG1 Limiter and TG2 pre amp. The TG12411's passive equalizer EQ is an all inductor design offering sweet high frequencies, large inductor based lows, and a very high \"Q\" mid cut section. Its sound is very comparable to Pultec and Lang program EQs. A simple description would be a TG Pultec with a TG pre amp thrown in.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41182925095079,"sku":"","price":5075.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/TG_Channel_MKII__69960.jpg?v=1683525136"},{"product_id":"chandler-limited-curve-bender","title":"Chandler Limited Curve Bender","description":"\u003cp data-mce-fragment=\"1\"\u003eThe EMI TG12345 Curve Bender is the ultimate TG equalizer issued in celebration of the 75th birthday of Abbey Road Studios. The Curve Bender was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI TG12345 desk used to record The Beatles and Pink Floyd. This newest EMI equalizer continues the tradition of EMI EQs started in 1954 with the RS57, the 1969 TG12345, and the 1974 TG12412.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWade turned the nine selections of the vintage version into 51 EQ points plus a multiply switch that increases the cut\/boost up to ±13.5dB (as well as sharpening the Q), filters and bell\/shelf selections on the high and low bands.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNOTE: As of 2011, mastering and standard features were combined into a single unit. Setting the multiplier toggle to x1 provides 0.5dB steps for a total of ±5db of boost\/cut per band. Setting the multiplier toggle to x1.5 provides a total of ±13.5db of boost\/cut per band. The master L\/R output switches are always ±0.5db steps for a total of ±5db of boost\/cut.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41182933254311,"sku":"","price":13599.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/chandler_curve_bender_01.png?v=1630885958"},{"product_id":"chandler-limited-zener-limiter","title":"Chandler Limited Zener Limiter","description":"\u003cp data-mce-fragment=\"1\"\u003eThe EMI TG12413 Zener Limiter is the ultimate TG limiter issued in celebration of the 75th birthday of Abbey Road Studios. The TG12413 Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd. It continues the tradition of EMI Limiters started in 1954 with the RS114 tube limiter and the 1968 RS168 Zener Limiter. The Zener Limiters were also part of the 1969 TG12345 console channel and the 1974 TG12413. This newest version borrows from the RS168 Zener Limiter and TG12345 console strip to make a new full featured and flexible unit for modern use.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Zener Limiter is being reissued to add features and flexibility to the powerful and vintage sounding TG limiter circuits. Wade has added many new controls including switchable input impedance for hard or soft driving of the unit, 11-position attack, 21-position release, side chain filtering, and Comp 1, Comp 2, and Limit settings.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41182940594343,"sku":"","price":10775.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/chandler_zener_limiter_01.png?v=1630886115"},{"product_id":"chandler-limited-germanium-pre-amp-di","title":"Chandler Limited Germanium Pre Amp\/DI","description":"\u003cp data-mce-fragment=\"1\"\u003eWarm, Organic, and Chandler's Most Vintage Sounding Pre Amp Yet!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Chandler Limited Germanium Pre Amp\/DI is a completely new microphone pre-amplifier design by Chandler Limited designer Wade Goeke that uses classic germanium transistors in an all class A, transformer balanced circuit.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe use of germanium devices opens a whole new sound palate not found in any pro audio equipment currently manufactured.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese incredibly smooth sounding transistors were the basis of the earliest transistor designs by Neve (1053, 1055, 1057), EMI (TG12345 MKI), Telefunken, and Fairchild. Those familiar with these units can attest to the special sound of the germanium transistor. The GERMANIUM series runs on +40 volt power, high current, and has a huge +34 output before clipping. The sound is warm and smooth, as with many vintage style circuits, but you'll find a whole new world of smooth here, as well as a sound that settles in perfectly to your tracks without fighting. The Germanium uses Chandler's new custom wound transformers that combine the best parts of our favorite St Ives and Gardners input and output transformers.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41182957830311,"sku":"","price":2449.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/chandler-limited-germanium-preamp-di.jpg?v=1630886467"},{"product_id":"chandler-limited-mini-rack-mixer","title":"Chandler Limited Mini Rack Mixer","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Chandler Limited Mini Mixer is the culmination of Chandler's experience working with many types of vintage discrete circuits. The Mini Rack Mixer traces its lineage back to several types of these amplifiers developed in the 60s and 70s that have been Chandlerized for modern usage.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach Channel of the 16x2 mixer is transformer balanced and driven by the new Chandler line amp, which borrows from Chandler's other products but has been redesigned for use in this mixer. The Mini Mixer is jam-packed with 20 discrete amplifiers and 22 custom wound transformers, giving it a classic sound with all the punch and tone you need for today's digital environment.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn addition to the mixer section, the unit has a full featured Control Room section including Talkback, Speaker switching, Mute, Mono, Dim, External input (also used as an insert point), and separate Control Room and Stereo Buss outs. Mixers are easily expandable to 32 channels or more.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41192744026279,"sku":"","price":16935.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/chandler_mini_rack_mixer_01.png?v=1630968701"},{"product_id":"chandler-limited-little-devil-eq","title":"Chandler Limited Little Devil EQ","description":"\u003cp data-mce-fragment=\"1\"\u003eCHANDLER LIMITED furiously enters the 500 race with its new line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler's best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level!\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"wps-helper\" data-mce-fragment=\"1\"\u003eThe Little Devil EQ is a small package with a huge sound. It is a Chandlerized British console sound in a 500 package.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis Devil has all discrete circuits with custom transformers, an inductor-based EQ that modern gyrator circuits can't touch, and a classic Baxendall tone control that is simply huge sounding! These units are all handmade using through-hole components and handwiring. We don't use surface mount components which, in our opinion, lowers the quality. Chandler's units are extremely high-quality made the way your favorite vintage units were made to preserve that special sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePlease note that all Devils feature increased compatibility! No power issues here!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks:  API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41192785608871,"sku":"","price":2799.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/chandler_little_devil_eq_01.png?v=1630969269"},{"product_id":"chandler-limited-germ-500-mkii-pre-amp","title":"Chandler Limited Germ 500 MKII Pre Amp","description":"\u003cp data-mce-fragment=\"1\"\u003eCHANDLER LIMITED furiously enters the 500 race with its new line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler's best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level!\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"wps-helper\" data-mce-fragment=\"1\"\u003eThe Germ 500 MKII is an updated version of our original Germ 500. This unit has an improved faceplate layout and nicer look. It uses classic germanium transistors in all Class A, transformer balanced circuits. The Germ 500 MKII is our well-known Germanium Preamp adapted for 500 series racks. We use the same transformers and amp blocks to assure the sound is consistent with our rack version. We've updated the power on the MKII so there no known power-up issues with current lunchboxes and rack systems.\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks:  API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41192807825575,"sku":"","price":2099.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/chandler_germ_500_MKII_pre_amp_01.png?v=1630969635"},{"product_id":"chandler-limited-germanium-drive","title":"Chandler Limited Germanium Drive","description":"\u003cp data-mce-fragment=\"1\"\u003eThe Germanium Drive is really a germanium pedal like none you've used before. It has all the tone and color you would expect from a germanium but none of the mud and none of the fat - only an intense colored germanium tone.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis pedal was inspired by our Germanium pre amps and our work with other germanium amplifiers, but has even more to it. The five feedback selections on the Germanium Drive modify the tone, harmonic distortion and clipping of the pedal and offer a nice range of uses from tighter, lightly driven to slightly fuzzy, to full on germanium hell!\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":41192863727783,"sku":"","price":699.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/products\/chandler_germanium_drive_01.png?v=1630970538"},{"product_id":"chandler-limited-germanium-compressor","title":"Chandler Limited Germanium Compressor","description":"\u003cp\u003eThe Germanium series continues with the GERMANIUM Compressor.\u003c\/p\u003e\n\u003cp\u003eThe Germ Comp starts with the same all class A amp found in the Germ Pre and Tone Control and is transformer balanced in and out. The compression circuit uses an FET gain reduction element but with the tricks and flexibility of all the Germ units. Some of the most notable additions include a Wet\/Dry mix (for \"submixing\" tracks within the comp), Comp Curve (which selects the knee using various diode combinations), Clean\/Dirty comp and Sidechain filter. Many of the Germ Comp parameters have been purposely set by studio use and listening not by over analyzing them with test gear. The result is a musical powerhouse ready for tracking, mixing, and mastering.\u003c\/p\u003e\n\u003cp\u003eAll Germanium units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V)\u003c\/p\u003e\n\u003cp\u003e\u003ccite\u003e\u003cstrong\u003eGermanium Compressor Technical Specifications\u003c\/strong\u003e\u003c\/cite\u003e\u003c\/p\u003e\n\u003cdiv data-url=\"https:\/\/chandlerlimited.com\/technical-specifications\/germanium-compressor-technical-specifications\/\" class=\"at-above-post-arch-page addthis_tool\"\u003eCHANNELS: Mono\u003c\/div\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR\u003cbr\u003e Link: TRS\u003cbr\u003e All Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003e Requires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":43313596596391,"sku":"","price":3525.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/chandler-limited-germanium-compressor_1_REC0005719-000.jpg?v=1683524814"},{"product_id":"chandler-limited-emi-abbey-road-studios-tg-microphone-type-l","title":"Chandler Limited EMI Abbey Road Studios TG Microphone ‘Type L’","description":"\u003cp\u003eThe Chandler Limited EMI Abbey Road Studios ‘TG Microphone Type L’ is a phantom powered, cardioid, large diaphragm condenser microphone, and as the name implies, the Type L is descended from the innovative ‘TG Microphone.’\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe TG Microphone Type L inherits the core circuitry, capsule and ‘Dual Tone System’ of the larger ‘TG Microphone;’ however, this is where the similarity ends. Apart from the ‘TG Microphone,’ the Type L is tuned to have its own sound and unique voicings.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Type L’s Dual Tone System feature provides two distinct characters in one microphone, ‘A’ and ‘B,’ and modifies the input stage, which extends the versatility of the microphone to accommodate a greater array of sources.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSystem ‘A’ is TG mid forward and harmonically rich, whereas, the ‘B’ voicing has a ribbon-like quality and is more pristine by contrast.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTonal differences of the Dual Tone System aside, the Type L was designed to handle sensitive and higher SPL sources. With the PAD engaged, both system ‘A’ and ‘B’ are capable of handling loud sources; however, the ‘B’ setting with the PAD engaged is considered the extreme SPL mode of the Type L.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe TG Microphone Type L has a larger than solid-state sound and is intended as a recording studio workhorse, capable of rivaling scenarios where the C12, C414, FET47, U67 and U87 have found favor and may replace the practice of employing a dynamic and a ribbon in combination on guitar cabinets.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Chandler Limited EMI Abbey Road Studios TG Microphone Type L kit includes: microphone, swivel mount and bamboo storage box.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ccite\u003eTG Microphone Type L Technical Specifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv data-url=\"https:\/\/chandlerlimited.com\/technical-specifications\/tg-microphone-type-l-technical-specifications\/\" class=\"at-above-post-arch-page addthis_tool\"\u003eMicrophone Type:   Large diaphragm condenser\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-url=\"https:\/\/chandlerlimited.com\/technical-specifications\/tg-microphone-type-l-technical-specifications\/\" class=\"at-above-post-arch-page addthis_tool\"\u003e\u003c\/div\u003e\n\u003cp\u003eTransducer Type:     Gold, custom spec.\u003c\/p\u003e\n\u003cp\u003eCircuit Type:            TG, Solid-state, FET\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDual Tone System:   A\/B Voicings\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePattern:                  Cardioid\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePad:                       -10 dB\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOutput Impedance: 200 Ohms\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePower:                    48 v Phantom\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMount:                   Swivel mount (Included)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eStorage:                  Bamboo box (Included)\u003cbr\u003e\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":43513410584743,"sku":"","price":1649.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Chandler_Limited_TG_Microphone_Type_L_01.png?v=1697758558"},{"product_id":"chandler-limited-little-devil-colored-boost-1","title":"Chandler Limited Little Devil Colored Boost","description":"\u003cp\u003eWade called this pedal a Colored Boost for a reason! It’s not a clean boost, though it’s not a fuzz either. The Little Devil Colored Boost can gently color your Fender or drive your old Marshall into oblivion.\u003c\/p\u003e\n\u003cp\u003eThe soul of the Little Devil Colored Boost is the Class A amplifier design and the selectable Feedback\/Bias control. The six presets range from slightly fuzzy to a “in your face” Plexi sound. Each preset has its own style of harmonic distortion and clipping with different effects on a sine wave signal. Soft clipping, hard clipping, clipping on the top, bottom, or both sides of a sine wave, and significant changes in frequency happen with each click of the Feedback\/Bias switch. Capable of 39db of boost, the Little Devil Colored Boost can easily range from gentle sustain to screaming vintage.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":49812955660455,"sku":null,"price":699.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Chandler-Limited-Little-Devil-Colored-Boost-Guitar-Pedal-front-400x506.jpg?v=1778732704"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/collections\/Chandler-Ltd-Logo.png?v=1777804918","url":"https:\/\/oceaniaaudiosales.co.nz\/collections\/chandler-limited.oembed","provider":"Oceania Audio Sales","version":"1.0","type":"link"}