{"title":"Golden Age Audio","description":"","products":[{"product_id":"golden-age-pre-73-dlx","title":"Golden Age Pre-73 DLX","description":"\u003cp\u003eVintage Style Mic Preamp. A de luxe version of the PRE-73 Mk2. The PRE-73 DLX is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The line and microphone input and the line output are transformer balanced, using three different transformers, each one optimised for its purpose.\u003c\/p\u003e\n\u003cp\u003eThis is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often preferred over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.\u003c\/p\u003e\n\u003cp\u003eThe circuit used in the PRE-73 DLX is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres.\u003c\/p\u003e\n\u003cp\u003eThe essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eVintage Style electronics. No integrated circuits in the signal path.\u003c\/li\u003e\n\u003cli\u003eMaximum gain on the mic input is 80 dB, enough to handle passive ribbon mics with quiet sound sources.\u003c\/li\u003e\n\u003cli\u003eGain range on the Line input: -20 to + 10 dB.\u003c\/li\u003e\n\u003cli\u003eSwitchable impedance on the mic input, 1200 or 300 Ohms, will change the tone of most mics.\u003c\/li\u003e\n\u003cli\u003eSwitchable phantom power and absolute phase.\u003c\/li\u003e\n\u003cli\u003eA high-impedance instrument input for any sound module, electric guitar or bass.\u003c\/li\u003e\n\u003cli\u003eA simple but effective 4-step LED output level meter.\u003c\/li\u003e\n\u003cli\u003eThe output level controls makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character and then lower the signal to a suitable level before the output stage.\u003c\/li\u003e\n\u003cli\u003eCombo XLR\/TRS input jacks and separate output XLR and TRS jacks for flexible connections.\u003c\/li\u003e\n\u003cli\u003eInsert jack for inserting EQ´s and other units.\u003c\/li\u003e\n\u003cli\u003eExternal high power power supply to avoid interaction with the audio circuits and transformers.\u003c\/li\u003e\n\u003cli\u003eA solid build quality that will last many years of normal use.\u003c\/li\u003e\n\u003cli\u003eTantalum capacitors in the signal path.\u003c\/li\u003e\n\u003cli\u003eSelectable 1073-style high pass filter, 50Hz, 80Hz, 160Hz and 300Hz.\u003c\/li\u003e\n\u003cli\u003eOutput Attenuator -7, -14, -21 and -28 dB (located after the output transformer) allows overdriving the output stage and the output transformer for added character by lowering the output signal to a suitable level.\u003c\/li\u003e\n\u003cli\u003eThe circuit board is prepared for Carnhill Mic and Line transformer and high pass inductor.\u003c\/li\u003e\n\u003cli\u003eThe Insert jack can be switched in\/out from the front panel. An internal jumper can select that the Insert jack always has an output signal.\u003c\/li\u003e\n\u003cli\u003eSwitchable 600 ohm Output Termination and Ground Lift on the back panel.\u003c\/li\u003e\n\u003cli\u003eSelectable Active or Passive DI input and selectable input impedance in active mode, Hi Z or 100 kohm, by internal jumpers.\u003c\/li\u003e\n\u003cli\u003eThe DI can signal can be selected to pass or bypass the mic input transformer by internal jumpers.\u003c\/li\u003e\n\u003cli\u003eRelays are used to control internal switching for DI input, Phantom power, Mic Low Z, Insert and Phase for shorter circuit board signal paths. The relays are controlled by front panel switches.\u003c\/li\u003e\n\u003cli\u003eRevised gain switch for added headroom.\u003c\/li\u003e\n\u003cli\u003eCircuit board star grounding scheme.\u003c\/li\u003e\n\u003cli\u003eRevised power supply with separate regulators for the audio circuits and relay and LED circuits.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Audio","offers":[{"title":"Golden Age Pre-73 DLX","offer_id":32208855564420,"sku":"","price":873.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/GoldenAgePre-73DLX.png?v=1780370613"},{"product_id":"golden-age-comp-2a-optical-fet-compressor","title":"Golden Age Comp 3A Optical FET Compressor","description":"\u003cp\u003eThe COMP-3A is a one channel vintage style Compressor \/ Leveler. The signal path uses only discrete components like resistors, capacitors and transistors. The input and output is transformer balanced, using two different transformers, each one optimised for its purpose. This is the way audio components were built before IC's became available.\u003c\/p\u003e\n\u003cp\u003eIC's are small and cheap and widely used in most modern designs. The drawback is that audio components built with modern technology doesn't always provide the best perceived sound quality or the type of character that the modern user desires. ? The circuit used in the COMP-3A is based on a classic design that uses an electro-luminescent panel and a photoelectric cell to control gain.\u003c\/p\u003e\n\u003cp\u003eThis gives the COMP-3A a unique, program dependent compression characteristics. The vintage style signal path adds a wonderful and musical character to the sound. Easy to use with only two main controls making it very simple to achieve the desired sound. These attributes has made the original units a favourite of engineers and musicians worldwide.\u003c\/p\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eVintage style electronics. No IC's in the signal path.\u003c\/li\u003e\n\u003cli\u003eTransformer balanced input and output. Selectable output transformer loading resistors by an internal jumper, will affect the high end frequency response.\u003c\/li\u003e\n\u003cli\u003eUses a classic T4-style electro-optical attenuator to control gain with program dependent attack and release times.\u003c\/li\u003e\n\u003cli\u003eVery simple to operate with only two main controls, Gain and Peak Reduction.\u003c\/li\u003e\n\u003cli\u003eHF control can make the side-chain circuit more sensitive to mid and high frequency content.\u003c\/li\u003e\n\u003cli\u003eA big meter selectable to show gain reduction or output level at two different reference levels.\u003c\/li\u003e\n\u003cli\u003eHardwire bypass switch for easy comparisons.\u003c\/li\u003e\n\u003cli\u003eXLR and TRS input and output jacks for flexible connections.\u003c\/li\u003e\n\u003cli\u003eLink jack and switch for connecting to another unit for stereo operation.\u003c\/li\u003e\n\u003cli\u003eCompact 2RU half rack format.\u003c\/li\u003e\n\u003cli\u003eA solid build quality that will last many years of normal use.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Audio","offers":[{"title":"Golden Age Comp 3A Optical FET Compressor","offer_id":32208855629956,"sku":"","price":975.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_Comp_3A_Optical_FET_Compressor.png?v=1780370349"},{"product_id":"golden-age-pre-73-jnr","title":"Golden Age Pre-73 Jr","description":"\u003cp\u003eThe little brother of the PRE-73 The Golden Age Project PRE-73 Jr is the little brother to our big seller, the PRE-73. It uses the same discrete (no IC´s) signal path with a transformer balanced in- and output. In order to be able to offer this classic and musical sound character at an even more affordable price point, we did scale down on some features that is seldom used.\u003c\/p\u003e\n\u003cp\u003eAll the things needed for making great sounding recordings are there and the smaller format makes it possible to mount four units in our 19-inch rack kit, the UNITE MKII.\u003c\/p\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eVintage Style class-A electronics. No integrated circuits are used.\u003c\/li\u003e\n\u003cli\u003eGAIN switch range 20 – 70 dB.\u003c\/li\u003e\n\u003cli\u003eSwitchable phantom power and absolute phase.\u003c\/li\u003e\n\u003cli\u003eA high-impedance instrument input for any sound module, electric guitar or bass.\u003c\/li\u003e\n\u003cli\u003eA simple signal LED indicator.\u003c\/li\u003e\n\u003cli\u003eThe output level control makes it possible to make fine gain adjustments and also to overload the main gain stage for more character and then lower the signal to a suitable level before the output stage.\u003c\/li\u003e\n\u003cli\u003eCombo XLR\/TRS input jack and separate output XLR and TRS jacks for flexible connections.\u003c\/li\u003e\n\u003cli\u003eInsert jack for inserting EQ´s and other units.\u003c\/li\u003e\n\u003cli\u003eThe circuit board is prepared for the Carnhill input transformer.\u003c\/li\u003e\n\u003cli\u003eExternal power supply to avoid interaction with the audio circuits and transformers.\u003c\/li\u003e\n\u003cli\u003eA solid build quality that will last many years of normal use.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Audio","offers":[{"title":"Golden Age Pre-73 Jr","offer_id":32208855662724,"sku":"","price":499.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_Pre-73_Jr.png?v=1780370192"},{"product_id":"golden-age-eq-73-3-band-eq","title":"Golden Age EQ-73 3 Band EQ","description":"\u003cp\u003eOne channel vintage style 3-band equalizer. The class-A circuit used in the EQ-73 is similar to the eq section in the classical 1073 module, without the high pass filter. Additional frequencies have been added and the mid frequency band uses two inductors, the higher value of the second one is used for the two lowest frequencies, 160 Hz and 240 Hz, to achieve a suitable response.\u003c\/p\u003e\n\u003cp\u003eThe sound character is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e\n\u003cp\u003eThe EQ-73 has stepped frequency controls that offers a wide selection of frequencies from 20 Hz to 24 kHz. The Low and High frequency bands are shelving and the mid frequency band is of the bell type. The control range is +\/-15 dB for the two lower bands and +\/- 18dB for the high frequency band. There are separate bypass switches for all three bands. The EQ-73 is made to be used together with one of our PRE-73 models that has an Insert jack.\u003c\/p\u003e\n\u003cp\u003eIt can also be used with many other units that has a low level insert jack. Combining a PRE-73 and an EQ-73, and using a UNITE rack kit to mount them together, one will get a 19-inch 1073-style unit at a low cost and with a great sound!\u003c\/p\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eVintage Style electronics. No intergrated circuits in the signal path\u003c\/li\u003e\n\u003cli\u003e3-band with a dual inductor based mid frequency band\u003c\/li\u003e\n\u003cli\u003eStepped frequency selection\u003c\/li\u003e\n\u003cli\u003eA wide selection of frequencies from 20 Hz to 24 kHz\u003c\/li\u003e\n\u003cli\u003eControl range up to +\/- 18 dB\u003c\/li\u003e\n\u003cli\u003eSeparate Bypass switches for each band\u003c\/li\u003e\n\u003cli\u003eTantalum capacitors in the signal path\u003c\/li\u003e\n\u003cli\u003eMade to be used together with one of our PRE-73 models with an Insert jack or any other unit with a low level Insert jack\u003c\/li\u003e\n\u003cli\u003eTRS jack for in-and output connection, the nominal working level is around 18 dBu\u003c\/li\u003e\n\u003cli\u003eSelectable ground lift switch\u003c\/li\u003e\n\u003cli\u003eExternal power supply to avoid interaction with the audio circuits\u003c\/li\u003e\n\u003cli\u003eGreat sound that suits most sound sources and genres\u003c\/li\u003e\n\u003cli\u003eA solid build quality that will last many years of normal use\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Audio","offers":[{"title":"Golden Age EQ-73 3 Band EQ","offer_id":32208855695492,"sku":"","price":739.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_EQ-73_3_Band_EQ.png?v=1780369902"},{"product_id":"golden-age-eq-81-four-band-eq","title":"Golden Age EQ-81 Four Band EQ","description":"\u003cp\u003eA 4-band EQ unit based on the eq section in the classical 1081 The class-AB circuit used in the EQ-81 is similar to the eq section in the classical 1081 module, without the high and low pass filters. The sound character is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres.\u003c\/p\u003e\n\u003cp\u003eThe essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone. The EQ-81 has stepped frequency controls that offers a wide selection of frequencies from 33 Hz to 15 kHz. The BASS and TREBLE frequency bands are switchable between shelving and bell and the MID frequency bands is of the bell type with a switchable Hi Q setting. The control range is +\/- 18dB. All four bands can be set in an off mode.\u003c\/p\u003e\n\u003cp\u003eThe EQ-81 is not intended to be used as a standalone EQ. It is designed to be used together with one of the Golden Age Project models that has an insert jack. It can also be used with some other product that has a low level (about -18 dBu to -10 dBu) unbalanced insert connector.\u003c\/p\u003e\n\u003cp\u003eCombining one of our PRE-73 units and an EQ-81 and using a UNITE rack kit to mount them together, one will get a 19-inch 1081-style unit at a low cost and with a great sound!\u003c\/p\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eVintage Style electronics. No integrated circuits in the signal path\u003c\/li\u003e\n\u003cli\u003e4-band with inductor based mid frequency bands\u003c\/li\u003e\n\u003cli\u003eStepped frequency selection\u003c\/li\u003e\n\u003cli\u003eA wide selection of frequencies from 33 Hz to 15 kHz\u003c\/li\u003e\n\u003cli\u003eControl range up to +\/- 18 dB\u003c\/li\u003e\n\u003cli\u003eEach band has an off mode\u003c\/li\u003e\n\u003cli\u003eTantalum capacitors in the signal path\u003c\/li\u003e\n\u003cli\u003eDesigned to be used together with one of our models with an insert jack\u003c\/li\u003e\n\u003cli\u003eTRS jack for in-and output connection, the nominal working level is around -18 dBu\u003c\/li\u003e\n\u003cli\u003eSelectable ground lift switch\u003c\/li\u003e\n\u003cli\u003eExternal power supply to avoid interaction with the audio circuits\u003c\/li\u003e\n\u003cli\u003eGreat sound that suits most sound sources and genres\u003c\/li\u003e\n\u003cli\u003eA solid build quality that will last many years of normal use\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Audio","offers":[{"title":"Golden Age EQ-81 Four Band EQ","offer_id":32208855761028,"sku":"","price":825.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_EQ-81_Four_Band_EQ.png?v=1780369806"},{"product_id":"golden-age-project-eq-573","title":"Golden Age Project EQ 573","description":"\u003cp\u003eThe class-A circuit used in the EQ-573 is similar to the eq section in the classical 1073 module. Additional frequencies have been added to the mid and high frequency sections. The signal path uses only discrete components like resistors, capacitors, inductors and transistors.\u003c\/p\u003e\n\u003cp\u003eThe sound character is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres.\u003c\/p\u003e\n\u003cp\u003eThe EQ-573 has stepped frequency controls that offers a wide selection of frequencies from 33 Hz to 20 kHz. Each section can be switched off individually. There is also a master bypass switch for easy comparisons.\u003c\/p\u003e\n\u003cp\u003eThe low and high frequency bands are shelving and the mid frequency band is of the bell type. The control range is +\/-15 dB for the two lower bands and +\/- 18dB for the high frequency band. The high pass filter is of the inductor type with a slope of 18 dB \/ octave. The EQ-573 cannot be used as a standalone EQ.\u003c\/p\u003e\n\u003cp\u003eIt is designed to be used together with the Golden Age Project PRE-573 that has an insert connector. Combining the PRE-573 and the EQ-573 in a 500 Series rack, one will get a 1073-style unit at a low cost and with a great sound! Not designed as a stand alone EQ, use with the 573 preamp as a channel strip.\u003c\/p\u003e","brand":"Golden Age Audio","offers":[{"title":"Golden Age Project EQ 573","offer_id":32208871194756,"sku":"","price":459.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_Project_EQ_573.png?v=1780404937"},{"product_id":"golden-age-project-pre-573-mic-pre-amp-di","title":"Golden Age Project Pre 573 Mic Pre Amp DI","description":"\u003cp\u003eThe Golden Age Project PRE-573 is a one width module that has the sound and the features that made the PRE-73 so successful, and a few additional ones. The circuit still uses the preamp and output section from the classic 1073-module, adapted to work in the 500 series rack format. It has a total gain range from -15 to +80 dB. The 10 - 70 dB range is handled by a turn switch and there is a separate toggle switch to select an additional 5 or 10 dB gain.\u003c\/p\u003e\n\u003cp\u003eThe input can be configured to accept line level signals by another switch, the gain is then lowered by about 25 dB and the input impedance increased to about 15 kohm. An added feature, using the same circuit as in the PRE-73 DLX, is the active DI-input with a high input impedance of about 1,5 Mohm.\u003c\/p\u003e\n\u003cp\u003eThe output signal from the active DI circuit passes through the input transformer for some extra character. The DI-input is very flexible since it can be changed to a purely passive one by a front panel switch. The DI input is then exactly the same as in the PRE-73 Mk2 where the signal is fed directly into the second gain stage, bypassing the transformer and with an input impedance of about 100 kohm.\u003c\/p\u003e\n\u003cp\u003eA beneficial feature is the switchable AIR mode that adds a small boost above 10 kHz that peaks at 2 dB at about 35 kHz. A simple but effective signal and overload indicator is offered by a single LED that starts glowing red at about +4 dBu and then increases its intensity up to the maximum output level. The PRE-573 has a dedicated insert connector at the back allowing it to interface with other GAP 500 modules. The insert can be activated by removing a jumper connector at the back of the module.\u003c\/p\u003e","brand":"Golden Age Audio","offers":[{"title":"Golden Age Project Pre 573  Mic Pre Amp DI","offer_id":32208871391364,"sku":"","price":573.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_Project_Pre_573_Mic_Pre_Amp_DI.png?v=1780405180"},{"product_id":"golden-age-comp-54-vintage-compressor-mk-iii","title":"Golden Age Comp-54 Vintage Compressor MK III","description":"\u003cp\u003eThe only difference between MKI and the new MKII is that the MKII has an insert jack where you can insert one of our eq units.\u003c\/p\u003e\n\u003cp\u003eThe COMP-54 is a one-channel vintage style Compressor. The signal path uses only discrete components like resistors, capacitors and transistors. The line input and output are transformer balanced and the unit also has a third interstage transformer.\u003c\/p\u003e\n\u003cp\u003eThis is the way audio components were built before integrated circuits became available. IC´s are small and cheap and they are widely used in most modern designs. It is clear though that audio components built with modern technology doesn´t always provide the best perceived sound quality or character that the modern user desires.\u003c\/p\u003e\n\u003cp\u003eOn the contrary, the subjective sound quality delivered by vintage equipment is often preferred over the one delivered by modern units. This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market. The class-A circuit used in the COMP-54 is similar to the one in the classic 2254 compressor that was designed in 1969. It quickly became a legend due to it´s totally unique sound character that is warm, smooth, sweet and musical.\u003c\/p\u003e\n\u003cp\u003eThese characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e\n\u003cp\u003eThe COMP-54 uses a diode bridge as the gain control element, a method that is revered for its smooth way of operation. Some of the most sought after vintage compressor designs, like the 2254, 2264, 33609, Siemens™ and EMI™ used the same basic design. The controls in the COMP-54 are very flexible covering broad ranges of Ratio, Attack and Release times, including two Auto positions. All controls except the Gain make-up one are stepped for easy resetting and stereo matching. There are three selectable sidechain high pass filter frequencies available to handle special situations. The Bypass switch is a true bypass where a relay switches the complete circuitry in or out.\u003c\/p\u003e\n\u003cp\u003eThe IN\/OUT switch makes it possible to switch the compression on and off while retaining the colouring from the transformers and the electronic circuitry. The meter can show output level or gain reduction. It is also possible to link two units for stereo operation.\u003c\/p\u003e\n\u003ch5\u003eThe MK III Version Adds\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eMore sturdy and reliable turn switches\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eBigger knobs for these switches\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Insert jack has been moved before the Makeup gain potentiometer for a higher signal to noise ratio when inserting one of the GAP EQ units.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eVintage style electronics.\u003c\/li\u003e\n\u003cli\u003eBased on classic diode bridge designs.\u003c\/li\u003e\n\u003cli\u003eTransformer balanced I\/O´s.\u003c\/li\u003e\n\u003cli\u003ePrepared for transformer upgrade.\u003c\/li\u003e\n\u003cli\u003eFlexible control range for Ratio, Attack and Release.\u003c\/li\u003e\n\u003cli\u003eAll controls except the Gain make-up one are stepped.\u003c\/li\u003e\n\u003cli\u003eThree selectable Sidechain filter frequencies.\u003c\/li\u003e\n\u003cli\u003eSeparate Bypass and Compression IN\/OUT switches.\u003c\/li\u003e\n\u003cli\u003eMeter selectable for Output and Gain Reduction.\u003c\/li\u003e\n\u003cli\u003ePossibility to Link two units for stereo operation.\u003c\/li\u003e\n\u003cli\u003eSeparate in- and output XLR and TRS jacks for flexible connections.\u003c\/li\u003e\n\u003cli\u003eBack panel switch for 600 Ohm termination.\u003c\/li\u003e\n\u003cli\u003eExternal power power supply to avoid interaction with the audio circuitry and the transformers.\u003c\/li\u003e\n\u003cli\u003eGreat sound that suits most sound sources and genres.\u003c\/li\u003e\n\u003cli\u003eA solid build quality that will last many years of normal use. The Golden Age Project COMP-54 has been awarded with the Editors Choice by Professional Audio, Germany\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Audio","offers":[{"title":"Golden Age Comp-54 Vintage Compressor MK II","offer_id":32208876273796,"sku":"","price":779.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_Comp-54_Vintage_Compressor_MK_III.png?v=1780369706"},{"product_id":"golden-age-pre-73-vintage-reamplifier","title":"Golden Age Pre-73 MK III Vintage Preamplifier","description":"\u003cp\u003eThe PRE-73 MKIII is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The in- and output is transformer balanced, using two different transformers, each one optimized for its purpose.\u003c\/p\u003e\n\u003cp\u003eThis is the way audio components were built before integrated circuits became available. The circuit used in the PRE-73 MKIII is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres.\u003c\/p\u003e\n\u003cp\u003eThe essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eVintage Style electronics. No integrated circuits in the signal path.\u003c\/li\u003e\n\u003cli\u003eMaximum gain in MIC mode is 80 dB, enough to handle passive ribbon mics with quiet sound sources.\u003c\/li\u003e\n\u003cli\u003eGAIN switch range 20 – 80 dB. GAIN\/LINE mode switch, gain is reduced by 30 dB in LINE mode.\u003c\/li\u003e\n\u003cli\u003eSelectable two position high frequency AIR boost eq, 3 or 6 dB @ 30 kHz.\u003c\/li\u003e\n\u003cli\u003eSelectable 6 dB\/octave two frequency high pass filter at around 40 (HP1) and 170 Hz (HP2).\u003c\/li\u003e\n\u003cli\u003eTantalum capacitors in the signal path.\u003c\/li\u003e\n\u003cli\u003eSwitchable impedance in MIC mode, 1200 or 300 Ohms, will change the tone of most mics. The input impedance in LINE mode is 10 kohm.\u003c\/li\u003e\n\u003cli\u003eSwitchable phantom power and absolute phase.\u003c\/li\u003e\n\u003cli\u003eA high-impedance instrument input for any sound module, electric guitar or bass.\u003c\/li\u003e\n\u003cli\u003eA simple but effective 4-step LED output level meter.\u003c\/li\u003e\n\u003cli\u003eThe output level control makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character and then lower the signal to a suitable level before the output stage.\u003c\/li\u003e\n\u003cli\u003eCombo XLR\/TRS input jack and separate output XLR and TRS jacks for flexible connections.\u003c\/li\u003e\n\u003cli\u003eInsert jack for inserting EQ´s and other units.\u003c\/li\u003e\n\u003cli\u003eSelectable 600 ohm output termination.\u003c\/li\u003e\n\u003cli\u003eThe pcb is prepared for the Carnhill input transformer.\u003c\/li\u003e\n\u003cli\u003eExternal power supply to avoid interaction with the audio circuits and transformers.\u003c\/li\u003e\n\u003cli\u003eA solid build quality that will last many years of normal use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eNew Features Compared To The MKII\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eTantalum capacitors in the signal path.\u003c\/li\u003e\n\u003cli\u003eSelectable two position high frequency AIR boost eq, 3 or 6 dB @ 30 kHz.\u003c\/li\u003e\n\u003cli\u003eSelectable two frequency high pass filter, 6 dB\/octave at 40 or 170Hz.\u003c\/li\u003e\n\u003cli\u003eThe pcb is prepared for the Carnhill input transformer.\u003c\/li\u003e\n\u003cli\u003eRevised and less complicated GAIN switch with a separate switch for MIC\/LINE selection.\u003c\/li\u003e\n\u003cli\u003eAll GAIN settings can also be used in LINE mode\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Audio","offers":[{"title":"Golden Age Pre 73 MK III Vintage Preamplifier","offer_id":32208876404868,"sku":"","price":673.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/GoldenAgePre-73MKIIIVintagePreamplifier.png?v=1780370810"},{"product_id":"golden-age-premier-pre-73-dlx-premier","title":"Golden Age Premier Pre-73 DLX Premier","description":"\u003cp\u003e\u003cspan class=\"\" lang=\"EN\"\u003eThe PRE-73 DLX PREMIER is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The line and microphone input and the line output are transformer balanced, using three different transformers, each one optimized for its purpose. \u003cbr\u003e This is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern products, a situation that is even more obvious now when music is recorded with clean sounding digital audio equipment.\u003cbr\u003e\u003cbr\u003eThe circuit used in the PRE-73 DLX PREMIER is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-tag=\"h2\" class=\"thrv_wrapper thrv_text_element\"\u003e\n\u003ch5 data-css=\"tve-u-16b671266b6\" style=\"text-align: left;\"\u003eFeatures\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"thrv_wrapper thrv-columns\"\u003e\n\u003cdiv class=\"tcb-flex-row tcb--cols--2\"\u003e\n\u003cdiv class=\"tcb-flex-col\"\u003e\n\u003cdiv class=\"tcb-col\"\u003e\n\u003cdiv data-css=\"tve-u-16b765bad69\" class=\"thrv_wrapper thrv_text_element\"\u003e\n\u003cul class=\"\"\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eAll soldered, connector-free internal design for the purest and most reliable signal path, the only connector used is for the gain switch,\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eUK-made Carnhill mic input and line output transformers and highpass inductor. The line input uses a custom transformer and the circuit board is prepared for the Carnhill tone. The output is balanced and fully floating and can drive a 600 ohm load up to about 28 dBu.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eTraditional 23-position 1073-style gain switch that is also used to select the mic or the line input jack.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eCombo XLR\/TRS mic and line input jacks and separate output XLR and TRS jacks for flexible connections.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eA Neutrik XLR\/TRS combo jack with gold over nickel plated bronze contacts is used for the mic input.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eMaximum gain on the mic input is 80 dB, enough to handle passive ribbon mics with quiet sound sources.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eSwitchable impedance on the mic input, 1200 or 300 ohms. Changing the load impedance will change the tone of many mics.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eGain range on the line input: -20 to + 10 dB.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eAn active instrument input for guitar and bass that passes the signal through the mic input transformer, with selectable input impedance, hi-Z or 100 kohm, by an internal jumper.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eSwitchable phantom power and absolute phase.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eTraditional gain switch plastic knob and metal knobs for the other controls.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eThe phantom power can deliver up to 10 mA according to the specification standard. The 6.8 kohm phantom power resistors are matched to within 0.1% to maintain good common-mode rejection in the circuit.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eSelectable 1073-style inductor based highpass filter at 50, 80, 160 or 300 Hz with a slope of 18 dB \/ octave.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eSelectable two position AIR EQ with a boost of about 3 or 6 dB at around 30 kHz.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eInsert jack for inserting EQ´s and other units. The insert jack can be switched in\/out from the front panel. An internal jumper can select if the insert jack always has an output signal or not.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eThe output level control makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character and then lower the signal to a suitable level before the output stage.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eAn output pad allows the user to add character by attenuating the output signal after the output transformer by -7, -14, -21 or -28 dB for overdriving the output stage and the output transformer by adding gain and then lower the output signal to a suitable level with the pad.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eA simple but effective 4-step LED output level meter.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eTantalum and polystyrene capacitors in the traditional positions. Neutrik XLR\/TRS combo jack is used for the mic input.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eSwitches on the back panel for 600 ohm output termination and ground lift.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eRelays are used to control internal switching for phantom power, mic low-Z, insert and DI for shorter circuit board signal paths. The relays are controlled by front panel switches.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eCircuit board star grounding scheme.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003ePower supply with separate regulators for the audio circuit and the relay and LED circuit.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eExternal power supply to avoid interaction with the audio circuits and transformers.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eA solid build quality that will last many years of normal use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":40323060760743,"sku":"","price":1273.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/GoldenAgePremierPre-73DLXPremier_46686eb7-764f-48f3-a7a5-ad492333ed1b.png?v=1780365444"},{"product_id":"golden-age-premier-pre-73-premier","title":"Golden Age Premier Pre-73 Premier","description":"\u003cp data-mce-fragment=\"1\" data-css=\"tve-u-16a1d708f18\"\u003e\u003cspan data-mce-fragment=\"1\" data-css=\"tve-u-16b66f3cc1f\" style=\"color: #434343;\"\u003eThe PRE-73 PREMIER is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The in- and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" data-css=\"tve-u-16a1d708f1a\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #434343;\" data-css=\"tve-u-16b757aee5d\"\u003eThe circuit used in the PRE-73 PREMIER is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5 data-mce-fragment=\"1\" data-css=\"tve-u-16a1d708f1a\"\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #434343;\" data-css=\"tve-u-16b757aee5d\"\u003eFeatures\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli data-mce-fragment=\"1\" data-css=\"tve-u-16a1d708f1a\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #434343;\" data-css=\"tve-u-16b757aee5d\"\u003eNo integrated circuits in the signal path\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" data-css=\"tve-u-16a1d708f1a\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #434343;\" data-css=\"tve-u-16b757aee5d\"\u003eMaximum gain in mic mode is 80 dB, enough to handle passive ribbon mics with quiet sound sources.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" data-css=\"tve-u-16a1d708f1a\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #434343;\" data-css=\"tve-u-16b757aee5d\"\u003eGain switch range is 20 - 80 dB. Line mode switch, gain is reduced by 30 dB in line mode\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" data-css=\"tve-u-16a1d708f1a\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #434343;\" data-css=\"tve-u-16b757aee5d\"\u003eSelectable 6 dB\/octave high pass filter at around 80 Hz (HP1) or 200 Hz (HP2)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" data-css=\"tve-u-16a1d708f1a\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #434343;\" data-css=\"tve-u-16b757aee5d\"\u003e14 dB output pad allowing the user to overdrive the output stage and transformer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" data-css=\"tve-u-16a1d708f1a\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #434343;\" data-css=\"tve-u-16b757aee5d\"\u003eSwitchable impedance in mic mode, 1200 or 300 Ohm, will change the tone of most mics. The input impedance in line mode is 10 k Ohm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" data-css=\"tve-u-16a1d708f1a\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #434343;\" data-css=\"tve-u-16b757aee5d\"\u003eSwitchable phantom power and absolute phase\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" data-css=\"tve-u-16a1d708f1a\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #434343;\" data-css=\"tve-u-16b757aee5d\"\u003eA simple but effective 4-step LED output level meter.The output level control makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" data-css=\"tve-u-16a1d708f1a\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #434343;\" data-css=\"tve-u-16b757aee5d\"\u003eCombo XLR\/TRS input jack and separate output XLR and TRS jacks for flexible connections\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" data-css=\"tve-u-16a1d708f1a\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #434343;\" data-css=\"tve-u-16b757aee5d\"\u003eA high-impedance instrument input for any sound module, electric guitar or bass\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":40323181281447,"sku":"","price":973.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_Premier_Pre-73_Premier.png?v=1780365322"},{"product_id":"golden-age-premier-preq-73-premier","title":"Golden Age Premier PreQ-73 Premier","description":"\u003cp data-css=\"tve-u-16c052f8f62\" dir=\"LTR\" align=\"LEFT\"\u003eThe PREQ-73 PREMIER is a one-channel vintage style microphone-, line- and instrument preamplifier with a three-band band equaliser with inductor based midrange offering a smooth and effective sound shaping. The signal path uses only discrete components like resistors, capacitors and transistors. The microphone and line input and the line output are transformer balanced, using three different transformers, each one optimised for its purpose. This is the way audio components were built before integrated circuits became available.\u003c\/p\u003e\n\u003cp data-css=\"tve-u-16c052f8f65\"\u003eThe circuit used in the PREQ-73 PREMIER is similar to the preamp and the equaliser section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e\n\u003cdiv data-tag=\"h2\" class=\"thrv_wrapper thrv_heading\"\u003e\n\u003ch5 data-css=\"tve-u-16b671266b6\" style=\"text-align: left;\"\u003eFeatures\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"thrv_wrapper thrv-columns\"\u003e\n\u003cdiv class=\"tcb-flex-row tcb--cols--2\"\u003e\n\u003cdiv class=\"tcb-flex-col\"\u003e\n\u003cdiv class=\"tcb-col\"\u003e\n\u003cdiv data-css=\"tve-u-16b765bad69\" class=\"thrv_wrapper thrv_text_element\"\u003e\n\u003cul class=\"\"\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eVintage Style electronics. No integrated circuits in the signal path.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4705\"\u003e Maximum gain in mic mode is 80 dB, enough to handle passive ribbon mics with quiet sound sources.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4707\"\u003e Classic 23-position Gain\/Line switch with 5 dB steps and a gain range of 20 to 80 dB for mic and -10 to +20 dB for line.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4708\"\u003e A two band LF (+\/-15 dB) and HF (+\/-20 dB) shelving equalizer with two selectable frequencies for each band.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4709\"\u003eInductor based +\/- 15 dB midrange equalizer section with three selectable frequencies. The lowest one is selectable between 350 and 700 Hz.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470a\"\u003eSwitchable impedance in mic mode, 1200 or 300 Ohm, will change the tone of most mics. The input impedance in line mode is 10 kOhm.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470c\"\u003eSwitchable phantom power and absolute phase.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470d\"\u003eA high-impedance instrument input for any sound module, electric guitar or bass.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470e\"\u003eA simple but effective 4-step LED output level meter.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470f\"\u003eThe output level control makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470f\"\u003eSeparate combo XLR\/TRS jack for the MIC and LINE input and separate output XLR and TRS jacks for flexible connections.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470f\"\u003eSelectable 600 Ohm output termination.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470f\"\u003eClassic style knobs and buttons.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470f\"\u003ePrepared for mounting one ot two units in the UNITE PREMIER rack kit. It can also be mounted in one of the other UNITE rack kits and combined with --the red and black Golden Age Project products.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470f\"\u003eConnector free internal wiring, all connections except the ones to the gain switch - Are soldered for the purest signal and most longterm stable signal path.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470f\"\u003eUK made Carnhill microphone input and line output transformers.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470f\"\u003eThe pcb is prepared for the Carnhill 9046M line input transformer.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470f\"\u003ePolystyrene capacitors in the amplifier circuits.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470f\"\u003eTantalum capacitors in the signal path.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470f\"\u003eBeefed up power supply.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470f\"\u003eSturdy toggle switches with gold plated contacts.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470f\"\u003eExternal power supply to avoid interaction with the audio circuits and transformers.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f470f\"\u003eA solid build quality that will last many years of normal use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":40323925344423,"sku":"","price":1273.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/olden_Age_Premier_PreQ-73_Premier.png?v=1780365235"},{"product_id":"golden-age-premier-pre-573-premier","title":"Golden Age Premier Pre-573 Premier","description":"\u003cp\u003e\u003cspan class=\"\" lang=\"EN\"\u003eThe Pre-573 \u003cmeta charset=\"utf-8\"\u003ePremier is a one-channel vintage style microphone, line and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The microphone and line input and the line output are transformer balanced, using two different transformers, each one optimised for its purpose. \u003cbr\u003e This is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often preferred to the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean sounding digital audio equipment.\u003cbr\u003e\u003cbr\u003eThe circuit used in the Pre-573 Premier is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-tag=\"h2\" class=\"thrv_wrapper thrv_text_element\"\u003e\n\u003ch5 data-css=\"tve-u-16b671266b6\" style=\"text-align: left;\"\u003eFeatures\u003c\/h5\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"thrv_wrapper thrv-columns\"\u003e\n\u003cdiv class=\"tcb-flex-row tcb--cols--2 tcb-resized\"\u003e\n\u003cdiv data-css=\"tve-u-16ec385e80e\" class=\"tcb-flex-col\"\u003e\n\u003cdiv class=\"tcb-col\"\u003e\n\u003cdiv data-css=\"tve-u-16b765bad69\" class=\"thrv_wrapper thrv_text_element\"\u003e\n\u003cul class=\"\"\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eVintage Style electronics. No integrated circuits in the signal path.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eUK-made Carnhill in- and output transformer. The output is balanced and fully floating and can drive a 600 ohm load up to level of about 28 dBu.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eMaximum gain in MIC mode is 80 dB, enough to handle passive ribbon mics with quiet sound sources.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eThe total gain range goes from -10 to +80 dB. The 20 to 70 dB range (in MIC mode) is handled by a turn switch and a toggle switch selects an additional 5 or 10 dB gain.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eSwitchable impedance on the mic input, 1200 or 300 ohms, will change the tone of many mics.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eThe input can be configured to accept line level signals by another switch, the level is then lowered by about 30 dB and the input impedance increased to about 10 kohm.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eA selectable two-position 6 dB \/ octave highpass filter with fres of about 45 or 180 Hz.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eA flexible front panel instrument input for electric guitar or bass that can be switched between a high impedance active or a mid-Z passive mode. These two DI-options makes it possible to get different tones from instruments. Mains connected sound modules or other signal sources should be connected to the MIC\/LINE input of the 500-rack, unless they have a fully floating, transformer balanced output stage.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eThe output level control makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character and then lower the signal to a suitable level before the output stage.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eInsert jack for inserting Golden Age Project and Premier 500 Series eq and effect units. The insert is activated by removing a jumper at the back of the module.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eA soft start circuit that ramps up the supply voltage slowly (~10 sec.) to avoid a power-on current surge.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003ePhase switch and switchable phantom power with a LED indicator.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eSelectable AIR equalizer adds a boost of about 6 dB centered at 30 kHz.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eA simple but effective signal and overload indicator is offered by a single LED that starts glowing red at about +4 dBu and then increases its intensity up to the maximum output level.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eTantalum and polystyrene capacitors used in the traditional positions.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eThe 6.8 kohm phantom power resistors are matched to within 0.1% to maintain good common-mode rejection in the circuit.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eSelectable 600 ohm output termination at the back of the module.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eCircuit board star grounding scheme.\u003c\/li\u003e\n\u003cli data-css=\"tve-u-16b2d3f4704\"\u003eA solid build quality that will last many years of normal use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":40324010082471,"sku":"","price":837.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_Premier_Pre-573_Premier.png?v=1780365159"},{"product_id":"golden-age-comp-3a-jnr-compressor-leveller","title":"Golden Age Comp 3A Jnr Compressor Leveller","description":"\u003cdiv class=\"tm-markdown\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Comp-3A Jr is a one channel vintage style Compressor \/ Leveler. The signal path uses only discrete components like resistors, capacitors \u0026amp; transistors. The input \u0026amp; output is transformer balanced, using two different transformers, each one optimised for its purpose. This is the way audio components were built before IC's became available. IC's are small, cheap and widely used in most modern designs. The drawback is that audio components built with modern technology don't always provide the best perceived sound quality or the type of character for the modern user.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe circuit used in the COMP-3A Jr is based on classic design elements \u0026amp; uses an integrated opto coupler to control gain giving it a unique compression characteristic. In addition, the vintage style signal path adds a wonderful and musical character to the sound. The ease of use with only two main controls makes it very simple to achieve the desired sound. These attributes have made similar designs favourites of engineers \u0026amp; musicians worldwide.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eClassic sound \u0026amp; compression style is now available at a very affordable price with the COMP-3A Jr.\u003c\/p\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h5\u003e\n\u003cul class=\"o-list2 o-list2--bullet\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVintage style electronics. No integrated circuits in the main audio signal path\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTransformer balanced input \u0026amp; output. Can drive almost any load, balanced or unbalanced. The maximum output level is 25 dBu\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUses an integrated opto coupler to control gain. The fastest attack time is about 1 ms\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSimple to operate with only two main controls, Gain Makeup \u0026amp; Gain Reduction\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e3 position TIME switch to select different combinations of Attack \u0026amp; Release time\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSelectable jumpers inside the unit to increase the timing on TIME-switch position B \u0026amp; C\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLED-meter selectable to show output level or gain reduction.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHardwire bypass switch for easy comparisons\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eXLR \u0026amp; TRS I\/O\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLink jack for connecting to another unit for stereo operation.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eExternal power supply\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCompact 1RU 1\/4 rack format. Four units can be mounted in a 19-inch rack kit, the UNITE MKII.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":41479156531367,"sku":"","price":699.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/GoldenAgeComp3AJnrCompressorLevellerFront.png?v=1780369567"},{"product_id":"golden-age-project-unite-big-2-u-rack-tray","title":"Golden Age Project Unite Big 2 U Rack Tray","description":"The Unite Big is a Rack kit for Golden Age Project ½ rack units such as the Comp3a and Comp2A.","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":41685424111783,"sku":"","price":159.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_Project_Unite_Big_2_U_Rack_Tray.png?v=1780405735"},{"product_id":"golden-age-premier-eq-73-premier-equalizer","title":"Golden Age Premier EQ-73 Premier Equalizer","description":"\u003cp dir=\"ltr\" align=\"left\"\u003eThe class-A circuit used in the EQ-73 PREMIER is similar to the eq section in the classical 1073 module, without the high pass filter. Additional frequencies have been added and the mid frequency band uses two inductors, the higher value of the second one is used for the two lowest frequencies, 160 Hz and 240 Hz, to achieve an optimal response.\u003c\/p\u003e\n\u003cp dir=\"ltr\" align=\"left\"\u003eThe sound character is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e\n\u003cp dir=\"ltr\" align=\"left\"\u003eThe EQ-73 PREMIER has stepped frequency controls that offers a wide selection of frequencies from 20 Hz to 24 kHz.\u003c\/p\u003e\n\u003cp dir=\"ltr\" align=\"left\"\u003eThe low and high frequency bands are shelving and the mid frequency band is of the bell type.\u003c\/p\u003e\n\u003cp dir=\"ltr\" align=\"left\"\u003eThe control range is +\/-15 dB for the two lower bands and +\/- 18dB for the high frequency band.\u003c\/p\u003e\n\u003cp dir=\"ltr\" align=\"left\"\u003eThere are separate bypass switches for all three bands.\u003c\/p\u003e\n\u003cp dir=\"ltr\" align=\"left\"\u003eThe EQ-73 PREMIER can be used either as a standalone EQ or connected to the insert jack of one of the Golden Age Premier or Project preamps. Combining one of our PRE-73 preamps and an EQ-73 PREMIER and using a UNITE rack kit to mount them together, one will get a 19-inch 1073-style unit at a low cost and with a great sound!\u003c\/p\u003e\n\u003ch5 dir=\"ltr\" align=\"left\"\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" align=\"left\"\u003eVintage style electronics. No integrated circuits in the main signal path\u003c\/li\u003e\n\u003cli dir=\"ltr\" align=\"left\"\u003e3-band with a dual inductor based mid frequency band and stepped frequency selection\u003c\/li\u003e\n\u003cli dir=\"ltr\" align=\"left\"\u003eA wide selection of frequencies from 20 Hz to 24 kHz and a control range of up to +\/- 18 dB\u003c\/li\u003e\n\u003cli dir=\"ltr\" align=\"left\"\u003eSeparate bypass switches for each band\u003c\/li\u003e\n\u003cli dir=\"ltr\" align=\"left\"\u003eTwo UK made Carnhill inductors in the midrange section\u003c\/li\u003e\n\u003cli dir=\"ltr\" align=\"left\"\u003eTantalum capacitors in the main signal path, polystyrene capacitors in the gain stages\u003c\/li\u003e\n\u003cli dir=\"ltr\" align=\"left\"\u003eBurr Brown OPA 2602 IC used for the balanced output stage\u003c\/li\u003e\n\u003cli dir=\"ltr\" align=\"left\"\u003eSoldered internal connections\u003c\/li\u003e\n\u003cli dir=\"ltr\" align=\"left\"\u003eCan be used together with one of our preamps with an insert jack or as a standalone unit\u003c\/li\u003e\n\u003cli dir=\"ltr\" align=\"left\"\u003eTRS jack for the INSERT mode in- and output connection, the nominal working level is around -18 dBu\u003c\/li\u003e\n\u003cli dir=\"ltr\" align=\"left\"\u003eIC-based in- and output stage for the LINE IN mode with balanced TRS and XLR connectors\u003c\/li\u003e\n\u003cli dir=\"ltr\" align=\"left\"\u003eSelectable ground lift jumper\u003c\/li\u003e\n\u003cli dir=\"ltr\" align=\"left\"\u003eExternal power supply to avoid interaction with the audio circuits\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":41685545156775,"sku":"","price":973.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_Premier_EQ-73_Premier_Equalizer.png?v=1780365083"},{"product_id":"golden-age-project-comp-2a-tube-optical-compressor","title":"Golden Age Project COMP-2A Tube Optical Compressor","description":"\u003cdiv class=\"elementor-element elementor-element-768390ce elementor-widget elementor-widget-text-editor\" data-id=\"768390ce\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-widget-container\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Comp-2A is a one channel vintage style Compressor \/ Leveler using vacuum tubes in the signal and side-chain path. The input and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before transistors and integrated circuits became available.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIntegrated circuits are small and cheap and widely used in most modern designs. The drawback is that audio components built with modern technology doesn’t always provide the best perceived sound quality or the type of character that the modern user desires.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe subjective sound quality delivered by vintage equipment is often preferred over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe circuit used in the Comp-2A is based on a classic design that was originally produced in the early 1960s and it was initially intended for broadcast applications. It uses an electro-luminescent panel and a photoelectric cell to control gain. This gives it a unique, program dependent compression characteristic. In addition, the all tube signal path and the transformers adds a wonderful and musical character to the sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe ease of use with only two main controls makes it very simple to achieve the desired sound. These attributes has made the original units a favourite of engineers and musicians worldwide. This classic sound is now available at a very affordable price point with the Comp-2A. \u003cbr\u003e\u003c\/p\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eVintage style all tube signal path. The tubes are fitted with grounded shields.\u003c\/li\u003e\n\u003cli\u003eTransformer balanced input and output. Can drive almost any load, balanced or unbalanced.\u003c\/li\u003e\n\u003cli\u003eGolden Age Project’s version of the classic optical unit using a long life electroluminescent panel and two carefully matched Silonex NSL5910 photoresistors for T4B-style electro-optical gain control with program dependent attack and release times.\u003c\/li\u003e\n\u003cli\u003eVery simple to operate with only two main controls, Gain and Peak Reduction.\u003c\/li\u003e\n\u003cli\u003eHF control can make the side-chain circuit more sensitive to mid and high frequency content.\u003c\/li\u003e\n\u003cli\u003eLinear regulated low noise filament and high voltage power supply.\u003c\/li\u003e\n\u003cli\u003eA big meter selectable to show gain reduction or output level at two different reference levels.\u003c\/li\u003e\n\u003cli\u003eHardwire bypass switch for easy comparisons.\u003c\/li\u003e\n\u003cli\u003eXLR and TRS input and output jacks for flexible connections.\u003c\/li\u003e\n\u003cli\u003eLink jack and switch for connecting to another unit for stereo operation.\u003c\/li\u003e\n\u003cli\u003eAll external controls located on the front panel.\u003c\/li\u003e\n\u003cli\u003eCompact 2RU half rack format. Two units can be mounted with our 19-inch rack kit, the UNITE BIG.\u003c\/li\u003e\n\u003cli\u003eA solid build quality that will last many years of normal use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":41685569339559,"sku":"","price":1169.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_Project_COMP-2A_Tube_Optical_Compressor.png?v=1780407097"},{"product_id":"golden-age-project-comp-554-500-series-diode-bridge-compressor","title":"Golden Age Project Comp 554 500 Series Diode Bridge Compressor","description":"\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-2349930 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2349930\" data-element_type=\"section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5e1e52b7\" data-id=\"5e1e52b7\" data-element_type=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\" data-mce-fragment=\"1\"\u003e\n\u003csection class=\"elementor-section elementor-inner-section elementor-element elementor-element-779b572d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"779b572d\" data-element_type=\"section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-1e345f32\" data-id=\"1e345f32\" data-element_type=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-74631cf8 elementor-widget elementor-widget-text-editor\" data-id=\"74631cf8\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-widget-container\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Comp-554 is a one-channel vintage style compressor for the 500-format. The signal path uses only discrete components like resistors, capacitors and transistors. The input and output are transformer balanced and the unit also uses a third interstage transformer.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is the way audio components were built before integrated circuits became available. IC’s are small and cheap and they are widely used in most modern designs. It is clear though that audio components built with modern technology doesn’t always provide the best perceived sound quality or character that the modern user desires.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn the contrary, the subjective sound quality delivered by vintage equipment is often preferred over the one delivered by modern units. This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe class-A circuit used in the COMP-554 is similar to the one in the classic 2254 compressor that was designed in 1969. It quickly became a legend due to it’s totally unique sound character that is warm, smooth, sweet and musical.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on many sound sources and in many genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-4dd7a3e4\" data-id=\"4dd7a3e4\" data-element_type=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-564b1798 elementor-widget elementor-widget-text-editor\" data-id=\"564b1798\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-widget-container\" data-mce-fragment=\"1\"\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eFeatures\u003c\/h5\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eVintage style electronics. No integrated circuits in the signal path.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBased on a classic diode bridge design.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTransformer balanced input and output.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePrepared for a Carnhill transformer upgrade (standard in the Plus version).\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFlexible control range for threshold, ratio, attack and recovery.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAll controls except the gain make-up one are stepped.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThree selectable sidechain fi lter frequencies.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThree fl exibel sidechain options; Internal, Insert and External.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe external sidechain I\/O is electronically balanced @ 4dBu and appears on the right slot rack connections.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSeparate switches for hardwire bypass and compression out.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTwo insert connectors for inserting the EQ-573 in the main audio and\/or sidechain signal path.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMeter selectable for output (two reference levels, +4 and +12 dBu) and gain reduction.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePossibility to link two units for stereo operation.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThree position Air EQ switch, Flat, +3 or +6 dB @ 30 kHz.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTwo position output termination switch for different tones.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA soft start circuit that ramps up the supply voltage slowly (about 10 sec.) to avoid a power-on current surge.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA great sound that suits most sound sources and genres.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":41687296376999,"sku":"","price":839.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_Project_Comp_554_500_Series_Diode_Bridge_Compressor.png?v=1780405518"},{"product_id":"golden-age-premier-ga-47-mk-ii-handwired-large-diaphragm-tube-condenser-microphone","title":"Golden Age Premier GA-47 Mk II Handwired Large-Diaphragm Tube Condenser Microphone","description":"\u003cdiv class=\"elementor-element elementor-element-4cbacd09 elementor-widget elementor-widget-text-editor\" data-id=\"4cbacd09\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-widget-container\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeaturing unparalleled parts and quality, the GA-47 is as close as you’ll get to the real thing. Handmade in small batches, the GA-47 will be your new favourite go-to mic. Dripping with tone and nostalgia from an era of crooners, rock and roll, to today’s biggest hits, the GA-47 offers you all the tone you’ve come to expect from a 47.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Neumann U-47 microphone is one of the most highly revered and sought after microphones of all times. Being a true classic, the U-47 really needs no further presentation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDue the high cost and low availability of vintage originals, especially ones in good condition, a number of manufacturers are producing U-47 clones. The selling price of the clones are covering a broad price span, several of them are sold at high price points.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAny manufacturer putting a U-47 clone on the market is bound to get the same question: “Does it sound like a U-47?”.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMy take is that this is the wrong question to ask, I would like to rephrase the question to: “Does it offer the classic qualities and advantages that a vintage U-47 in perfect condition do?”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Neumann U-47 was produced between 1949 and 1965 meaning that the vintage original units are now very old and their performance do differ a lot depending on their condition. The different clones all have their specific sound character too. So, it's not easy to say which sound is “the right one”. As always, not the least as microphones goes, it will ultimately be a matter of taste.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Golden Age Premier GA-47 is the result of a lot of hard work and real world testing and the MKII version has been further refined. The end result is a microphone with a very sweet character that should appeal to a great number of users and a microphone that can be used for the most demanding recording tasks. It has proved itself to be a great all-rounder, this is not a “vocal-only” microphone.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe GA-47 MKII is not a product that is built in huge quantities on a big assembly line. Its a product that is built by hand, fifty units at a time in a small workshop by a skilled and dedicated staff. It uses very high quality components all the way to achieve the goal of offering classic U-47 qualities.\u003c\/p\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eDetails\u003c\/h5\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMic Body and Grille\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe mic body is made of brass, the grille is made of iron. The grille, which is a critical component affecting the sound character, is similar to the one in the U47.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe capsule for the GA-47 MKII is designed to provide the requirements of modern day recordings by mixing the character between a vintage K47 capsule and the one from a K67-style capsule with a wide frequency response and high sensitivity. The result is a truly great sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBeing a dual-sided one, it provides the GA-47 with both cardioid and omni polar patterns.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn order to get a good consistency between units, for each production run of 50 pcs GA-47 units, approximately 200 capsules is evaluated in order to find 50 capsules with specifications that lie within the tight tolerances.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTube\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe GA-47 MKII uses a selected NOS Telefunken EF-800 series super low noise pentode tube connected in triode mode in order to decrease distortion and noise. This tube is modern glass derivative of the VF14M used in the vintage U-47.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOutput Transformer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe GA-47 MKII transformer is especially designed with a 6.5:1 dual bobbin transformer by a reputed transformer factory. It is a replica of the BV8 transformer used in the vintage U47. It uses a high quality core material.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCapacitors and Resistors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe coupling capacitor is made in United Kingdom, the brand is Ciarit, the same type used in the famous and very expensive B\u0026amp;W Nautilus loudspeaker. It is an axial capacitor made from MKP material with copper pins. It has a delicate, full sound and a wide frequency response.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOther used capacitors are MIAL polystyrene film capacitors with very low loss. The resistors are ALLEN BRADLEY carbon film resistors made in the USA with vintage and warm sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMic Interior and Cabling\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe electronic circuit is built with point-to point wiring on an expensive Rogers circuit board. Teflon insulated, silver-plated copper wire is used for the internal connections.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePower supply transformer and electrolytic capacitors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe vintage style power supply PSU uses a high power R-style transformer with a low noise level and a minimal stray field. The electrolytic capacitors are of a high quality audio style type.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA simple but effective circuit uses dual-stage filtering for the filament voltage. The high voltage is precisely filtered and stabilised using an ON semiconductor zener diode.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMic Cable\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe cable is specially produced using 99,99% pure oxygen-free copper, Teflon insulation, tin foil and 98% kitmesh, ie with a very high braided density of the cable shield. It has a very open and smooth sound.\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe connectors are gold plated.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMic and psu circuit in relation to the original mics\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe polar pattern switch is located on the power supply allowing for easy sound comparisons.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe circuit used in the GA-47 MKII is similar to the U-47 but the component values has been adjusted to fit the EF-800 tube.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe circuit used for the power supply is also similar except for adding a zener diode to assure the voltage and current stable.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe connectors are gold plated. All three connectors are placed on one side to facilitate handling and placement.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"22df6b0e\" class=\"elementor-element elementor-element-22df6b0e elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eHigh end, no compromise components and build quality\u003c\/li\u003e\n\u003cli\u003eHand made in small series, 50 units at a time, in a boutique style\u003cbr\u003emicrophone workshop\u003c\/li\u003e\n\u003cli\u003eCapsules selected with very tight tolerances\u003c\/li\u003e\n\u003cli\u003eNew Old Stock Telefunken EF-800 tube selected for low noise\u003c\/li\u003e\n\u003cli\u003ePoint-to point wiring, using an expensive Rogers circuit board\u003c\/li\u003e\n\u003cli\u003eAll soldering points made with Mudorf solder\u003c\/li\u003e\n\u003cli\u003eSupreme Silver Gold solder\u003c\/li\u003e\n\u003cli\u003eSolid wood microphone box, sturdy metal flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eSpecifications\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency\u003c\/li\u003e\n\u003cli\u003eResponse: 20Hz〜20KHz\u003c\/li\u003e\n\u003cli\u003ePolar pattern; Cardioid and Omni-Directional\u003c\/li\u003e\n\u003cli\u003eSensitivity: 12mV\/Pa\u003c\/li\u003e\n\u003cli\u003eRated Impedance: 200 ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise Level: 10dB\u003c\/li\u003e\n\u003cli\u003eMax S.P.L: 140dB\u003c\/li\u003e\n\u003cli\u003eBackplate material: brass\u003c\/li\u003e\n\u003cli\u003eCapsule diameter: 35mm\u003c\/li\u003e\n\u003cli\u003eMembrane diameter: 27mm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":42411054039207,"sku":"","price":3895.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_Premier_GA-47_Mk_II_Handwired_Large-Diaphragm_Tube_Condenser_Microphone_front.png?v=1780364994"},{"product_id":"golden-age-r1-st-stereo-ribbon-microphone","title":"Golden Age R1 ST Stereo Ribbon Microphone","description":"\u003cdiv class=\"elementor-element elementor-element-37280d2e elementor-widget elementor-widget-text-editor\" data-id=\"37280d2e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"elementor-widget-container\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R1 ST is two high quality vintage style ribbon microphone sections with transformer balanced outputs in a classic Blumlein configuration for stereo and mono recordings. It offers the unique and natural sound that has been available in classical microphones like the RCA 44 and 77 that are still used to make high quality recordings today after over 80 years.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe R1 ST is very well suited for the recording of most sound sources like vocals, acoustic instruments, strings, horns, orchestras and choral groups and many live sound applications.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn spite of its low cost, the R1 ST meets the most stringent demands.\u003c\/p\u003e\n\u003cdiv data-element_type=\"column\" data-id=\"3540fb09\" class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-3540fb09\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"2c366599\" class=\"elementor-element elementor-element-2c366599 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch5 class=\"rad\"\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eTwo ribbon elements, one placed above the other; each aimed 45 degrees from center in a classic Blumlein configuration.\u003c\/li\u003e\n\u003cli\u003eCreates a wonderful stereophonic representation of the sound source and the acoustic environment.\u003c\/li\u003e\n\u003cli\u003eEither side of the R1 ST can also be used as a mono microphone.\u003c\/li\u003e\n\u003cli\u003eThe natural, smooth and musical sound of vintage style ribbon microphone technology.\u003c\/li\u003e\n\u003cli\u003eCaptures every transient without harshness or hardness.\u003c\/li\u003e\n\u003cli\u003eThe warm and punchy sound of a transformer balanced output.\u003c\/li\u003e\n\u003cli\u003eUltra-high SPL capability, 160 dB SPL (1% THD @ 1000 Hz).\u003c\/li\u003e\n\u003cli\u003eEach section has a figure-8 directional pattern with wide sweet spots in the front and in the back.\u003c\/li\u003e\n\u003cli\u003e50 mm long, 2 microns aluminium ribbons.\u003c\/li\u003e\n\u003cli\u003eDetachable microphone cable and a cable splitting box for left and right output.\u003c\/li\u003e\n\u003cli\u003eShock mount and two transport cases, one hard and one soft.\u003c\/li\u003e\n\u003cli\u003eManufactured of the finest materials for a great performance and long-term reliability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":42605389086887,"sku":"","price":1199.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_R1_ST_Stereo_Ribbon_Microphone.png?v=1780368858"},{"product_id":"golden-age-premier-pre-73-jr-premier-microphone-instrument-preamp","title":"Golden Age Premier Pre 73 Jr Premier Microphone \u0026 Instrument Preamp","description":"\u003cdiv data-widget_type=\"heading.default\" data-element_type=\"widget\" data-id=\"3ff3aeee\" class=\"elementor-element elementor-element-3ff3aeee elementor-widget elementor-widget-heading\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp class=\"elementor-heading-title elementor-size-default\"\u003eAs Close As You Can Get To The Real Thing - The PRE-73 Jr PREMIER is a one-channel vintage style microphone- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The in- and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"2d228f17\" class=\"elementor-element elementor-element-2d228f17 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThe circuit used in the PRE-73 Jr PREMIER is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres.\u003cbr\u003eThe essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat Makes Golden Age Hardware Different\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Times New Roman; font-size: medium;\"\u003e\u003cspan lang=\"EN\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eIntegrated circuits are small and cheap and widely used in most modern designs. It is clear though that audio components built with modern technology doesn’t always provide the best perceived sound quality or the type of character that the modern user desires. On the contrary, the subjective sound quality delivered by vintage equipment is often preferred over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment. This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5 class=\"rad\"\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli dir=\"LTR\"\u003e\u003cspan style=\"font-family: DINEngschrift;\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eVintage Style class-A electronics. No integrated circuits in the signal path. No surface mount components.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan style=\"font-family: DINEngschrift;\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003e GAIN switch range 20 – 70 dB.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan style=\"font-family: DINEngschrift;\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eSelectable two position high frequency AIR boost EQ, 3 or 6 dB @ 30 kHz.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan style=\"font-family: DINEngschrift;\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eSelectable 6 dB\/octave two frequency high pass filter at around 40 (HP1) and 170 Hz (HP2).\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan style=\"font-family: DINEngschrift;\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eSwitchable phantom power and absolute phase.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan style=\"font-family: DINEngschrift;\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eA high-impedance instrument input for any sound module, electric guitar or bass.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan style=\"font-family: DINEngschrift;\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eA simple signal LED indicator.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan style=\"font-family: DINEngschrift;\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eThe output level control makes it possible to do fine gain adjustments and also to overload the main gain stage for more character and then lower the signal to a suitable level before the output stage.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan style=\"font-family: DINEngschrift;\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eCombo XLR\/TRS input jack and separate output XLR and TRS jacks for flexible connections.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan style=\"font-family: DINEngschrift;\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eInsert jack for inserting EQ´s and other units.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan style=\"font-family: DINEngschrift;\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eUK-made Carnhill input and output transformers, tantalum and polystyrene capacitors and mostly soldered internal connections.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan style=\"font-family: DINEngschrift;\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eExternal power supply to avoid interaction with the audio circuits and transformers.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan style=\"font-family: DINEngschrift;\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eThe small format makes it possible to mount 4 units in our 19-inch rack kits.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\"\u003e\u003cspan style=\"font-family: DINEngschrift;\"\u003e\u003cspan style=\"font-family: Verdana; font-size: small;\"\u003eA solid build quality that will last many years of normal use.\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":43251369672871,"sku":"","price":873.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/GoldenAgePremierPre73JrPremierMicrophone_InstrumentPreamp.png?v=1780364541"},{"product_id":"goden-age-rm-1-mk-ii-ribbon-microphone","title":"Golden Age RM-1 MK II Ribbon Microphone","description":"\u003cdiv data-element_type=\"column\" data-id=\"2a866b68\" class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-2a866b68\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"3cd8a68f\" class=\"elementor-element elementor-element-3cd8a68f elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThe R1 MKII is a high quality vintage style ribbon microphone. It offers the unique and natural sound that has been available in classical microphones like the RCA 44 and 77 that are still used to make high quality recordings today, after almost 70 years.\u003c\/p\u003e\n\u003cp\u003eThe R1 MKII is very well suited for the recording of most sound sources like vocals, acoustic instruments, strings, horns, orchestras and choral groups and many live sound applications.\u003c\/p\u003e\n\u003cdiv data-element_type=\"column\" data-id=\"4db13871\" class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-4db13871\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"3e0910f7\" class=\"elementor-element elementor-element-3e0910f7 elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch5 class=\"rad\"\u003eSpecifications\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eTransducer: Ribbon\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Figure-8\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 30 Hz to 18 kHz\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 160 dB SPL\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; 1%\u003c\/li\u003e\n\u003cli\u003eImpedance: 600 Ohms\u003c\/li\u003e\n\u003cli\u003eLoad Impedance: 3000 Ohms\u003c\/li\u003e\n\u003cli\u003eSensitivity: -52 dB at 1 kHz\u003c\/li\u003e\n\u003cli\u003eOutput Connectors: 1 x\u003c\/li\u003e\n\u003cli\u003e3-Pin XLR\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":43294352474279,"sku":"","price":449.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_RM-1_MK_II_Ribbon_Microphone_Front.png?v=1780369115"},{"product_id":"golden-age-audio-r1-active-mkiii-active-ribbon-microphone","title":"Golden Age Audio R1 Active MKIII Active Ribbon Microphone","description":"\u003cp\u003eThe R1 Active MKIII is a very cool mic that combines the best of two worlds; the warmth of a ribbon and the stability of a F.E.T. buffer ampliflier. This means that you can use the R1 Active MkIII with long cables and virtually any pre-amp featuring 48V phantom power. A clean and clear sound, yet warm and punchy is what the R1 Active MKIII will deliver in most cases. We love it on drums, as an ambience mic or in pairs for O.H. pickup, but it sounds great on most instruments. The R1 Active MKIII is in fact a very versatile mic even suitable for some sensitive vocal recording! And even more so now when the MKIII version includes switches for low cut and 10dB pad. \u003c\/p\u003e\n\u003cdiv data-element_type=\"column\" data-id=\"4a75702c\" class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-4a75702c\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv data-widget_type=\"text-editor.default\" data-element_type=\"widget\" data-id=\"4b15670e\" class=\"elementor-element elementor-element-4b15670e elementor-widget elementor-widget-text-editor\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch5 class=\"rad\"\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eA stunning realism with the feeling of being-there\u003c\/li\u003e\n\u003cli\u003eThe typical large and mellow ribbon sound quality with a very smooth top end and an extended low end.\u003c\/li\u003e\n\u003cli\u003eA fast and life-like transient reproduction.\u003c\/li\u003e\n\u003cli\u003eAn ultra-high SPL capability, 160 dB SPL (1% THD @ 1000Hz) and a very high sensitivity for a ribbon microphone, similar to many condenser microphones.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":47128997036199,"sku":null,"price":499.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_Audio_R1_Active_MKIII_Active_Ribbon_Microphone.png?v=1780364343"},{"product_id":"golden-age-audio-r1-tube-active-tube-active-ribbon-microphone","title":"Golden Age Audio R1 Tube Active Tube Active Ribbon Microphone","description":"\u003cp\u003eThe R1 Tube Active is a true embodiment of old-school vintage recording, combining three vintage elements:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA classic ribbon transducer.\u003c\/li\u003e\n\u003cli\u003eTwo transformers.\u003c\/li\u003e\n\u003cli\u003eA tube buffer amplifier.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOne might think that combining a ribbon, transformers, and a tube amplifying stage could make the signal \u003ci\u003etoo \u003c\/i\u003esmooth?\u003c\/p\u003e\n\u003cp\u003eIt’s true that the sound of the R1 Tube Active is warm and fat, but the combination of the tube stage and the transformers generate overtones that makes the signal come alive!\u003c\/p\u003e\n\u003cp\u003eIf you’re into mics, if an instant no-need-to-mix good-sounding recording is your thing, if you are looking for a unique yet versatile mic… this is it!\u003c\/p\u003e\n\u003cdiv class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-4915f4ae\" data-id=\"4915f4ae\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-6da829b2 elementor-widget elementor-widget-text-editor\" data-id=\"6da829b2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eThe natural and musical sound of a classic ribbon mic combined with the consistent sound-quality you get from active electronics\u003c\/li\u003e\n\u003cli\u003eA low-noise 6J14 tube amplifier that isolates the ribbon and gain make-up transformer from the outside world, and gives you higher output than a normal ribbon mic\u003c\/li\u003e\n\u003cli\u003eUltra-realistic reproduction\u003c\/li\u003e\n\u003cli\u003eCharacteristic large-and-mellow ribbon sound quality with a very smooth top and an extended low end\u003c\/li\u003e\n\u003cli\u003eFast and life-like transient reproduction\u003c\/li\u003e\n\u003cli\u003eUltra-high SPL capability: 165 dB SPL (1% THD @ 1000 Hz)\u003c\/li\u003e\n\u003cli\u003eVery high sensitivity for a ribbon microphone, similar to many condenser mics\u003c\/li\u003e\n\u003cli\u003eThe figure-8 polar pattern offers wide sweet spots both in the front and in the back of the microphone, and rejection on the sides\u003c\/li\u003e\n\u003cli\u003eA 50mm long ribbon made of 2 microns thick aluminum foil\u003c\/li\u003e\n\u003cli\u003eAn internal shock mount for the ribbon and magnet assembly\u003c\/li\u003e\n\u003cli\u003eA removable microphone cable and an aluminum flight case\u003c\/li\u003e\n\u003cli\u003eManufactured from the finest materials for great performance and long-term reliability\u003c\/li\u003e\n\u003cli\u003eCan be used with any standard mixer or preamp, preferably with a balanced input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003eSpecifications\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eTransducer: Ribbon\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Figure-8\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 30 Hz to 18 kHz\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise Level: 16 dB A-Weighted\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 165 dB SPL\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; 1%\u003c\/li\u003e\n\u003cli\u003eImpedance: 200 Ohms\u003c\/li\u003e\n\u003cli\u003eLoad Impedance: 1000 Ohms\u003c\/li\u003e\n\u003cli\u003eSensitivity: -40 dB at 1 kHz\u003c\/li\u003e\n\u003cli\u003eOutput Connectors: 1 x 3-Pin \u003cspan style=\"color: rgb(0, 0, 0); background-color: rgb(255, 255, 255);\"\u003eXLR\u003cspan style=\"font-weight: bold; font-family: Roboto, arial, sans-serif; font-size: 14px; background-color: rgb(255, 255, 255);\"\u003e 6J14\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":47129003884711,"sku":null,"price":699.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/files\/Golden_Age_Audio_R1_Tube_Active_Tube_Active_Ribbon_Microphone.png?v=1780364147"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0334\/9659\/6612\/collections\/Golden_Age_Audio_-_Logo.png?v=1777765193","url":"https:\/\/oceaniaaudiosales.co.nz\/collections\/golden-age-audio.oembed?page=2","provider":"Oceania Audio Sales","version":"1.0","type":"link"}