

Oceania Audio is the Authorised NZ Distributor
Manley Labs Mastering Slam!® Stereo Limiter & Micpreamp
Manley Labs Mastering Slam!® Stereo Limiter & Micpreamp
The Mastering Version Proudly from our beginning, we at MANLEY LABS have been closely involved with numerous mastering facilities around the world. For these most demanding engineers in our industry, we have created specialised products such as our all-tube tape repro head amps, digital converters, high-powered vacuum tube monitor amplifiers, through to custom monitoring consoles, all the way up to complete facility design and installation.
Differences & Features
First off: no microphone preamps. You mastering engineers certainly don't need those. The mic pre and input select switch are removed and the switches become dedicated "mode" switches one each for the ELOP and the FET limiters. 1) The ELOP limiter gets more Ratios - 10:1, 5:1, 3:1, 2:1 and something new called AutoHF which starts off as a 1.5:1 ratio and increases gradually to 10:1 for highs. This is something like a de-esser, and of course can work with the ELOP SC toggle at 200Hz for even more effect. 2)
The FET limiters get new modes that are 50%, NORM, LP Lim, BOTH, and CLIP. The "50%" setting mixes in the straight signal to the limited signal which is often difficult to do in a mastering environment and because the FET sidechain 'reads' off the output, the amount of gain reduction doubles. It resembles halving the FET ratio but is cleaner due to the mix. The "LP Lim" setting only comes into play for hot signals and reduces the depth of gain reduction for high freqs. This translates to - hot signals + moderate gain reduction = brighter, more present signal, less distortion, more balls. This mode allows more high frequencies to pass through without being limited. The "CLIP" setting introduces a fixed threshold clipper circuit set up about -2 dB DFS or +18 dBv at the XLR. Within normal usage "CLIP" generally prevents outputs from passing beyond +18 dBv, and 97% of the time, clips in a controlled fast-recovery manner before a converter would (in generally a less than desirable sounding way). Finally, the "BOTH" setting on the FET limiter engages both the "LP Limit" and the "CLIP" functions at the same time. This might be appropriate for metal and projects demanding intense volume.
The "BOTH" mode is designed for situations where extreme processing and loudness is required but where attack, brightness and aggressiveness needs to be preserved or enhanced. 3) The LEFT blue erstwhile-"limit" button becomes a master stereo LIMIT bypass switch here in the Mastering Version. When it is not engaged, it becomes a true hard-wire bypass (This was not possible on the mic preamp regular version obviously). 4) The Right blue button becomes the DAC select switch (stereo). 5) The what-was-the-Phantom toggle on the back of the unit becomes the Unbalanced 1/4" jack input select in this new mastering version. 6) There are no pots on the faceplate of the Mastering Version of the SLAM!
All of the knobs in the Mastering Version are discrete detented switches in mostly 1 dB steps, with some appropriate 1/2 dB and 2 dB steps, right where they should be. More than that, we really like the way it works and sounds and we generally prefer it to the non-mastering version for stereo tracks. There is a lot less fiddling involved to maintain L/R balances and the new modes are subtle but fun. It is easy to make just about anything sound better.
Specifications
- Input Tubes: 2 x 12AT7A NOS GE specially selected by Manley Labs for lo-noise and stable bias
- Output Tubes: 2 x 6414W NOS USA dual triodes
- I/O: MANLEY transformer coupled Balanced Inputs and Outputs
- Gain: 20dB max Limiter Gain
- Input Impedance balanced input XLR combo jack: 2 kOhms
- Input Impedance unbalanced input 1/4” combo jack: 10 kOhms
- FET Limiter: Attack: approx. 100μS; Release: 10mS to 2Sec; Ratio: better than 20:1
- ELOP Limiter: Attack: approx. 10mS for 6dB GR; Release: 2.5 Sec; Ratio: 10:1
- Frequency Response: 5Hz to 60KHz
- Maximum Output: +32dBm, +30dBm (into 1KΩ load)
- THD+N: <.05 typical consumption slam amps milliamps="480mA)" watts power factory set for or operation original destination country mains voltage. changeable with transformer re-wiring via switch and fuse value change. voltage x lbs. range:="" impedance:="" analog:="" supply:="" voltage:="" frequency:="" weight:="">
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When will my order be dispatched?
Orders are dispatched Tuesday, Wednesday via Courierpost. You will be sent an email confirmation with tracking details once your order is on its way to you. If you have any questions about your order, please email nigel@oceania-audio.co.nz or use the contact form on this website.
How long will it take for my order to be delivered?
Orders are usually delivered the day after they are shipped. Rural orders may take 1-2 extra days.
Why is my order taking longer than expected?
Sometimes we have to order stock in from our suppliers if we don’t have it on hand. Where there are delays or when products are on backorder, this will always be indicated on the product page.
How much is shipping?
Shipping is free within New Zealand and dispatched with Courier Post.
Can I pick up my order?
Orders are shipped from our warehouse. If you would like to pick your order up, please arrange with us prior to placing your order. Email nigel@oceania-audio.co.nz or contact us using the contact form on this website.
What if my order was wrong?
If your order was incorrect or faulty in any way, please let us know and we will make sure you get what you ordered.
What is your refund policy?
You can find out more about our refund policy.
NZ Delivery
We like to keep things simple... Shipping is always FREE within New Zealand.
Our shipping days are Tuesdays and Wednesdays.
All packages are sent out of Auckland, New Zealand.
Please allow up to 7 working days for your package to arrive before contacting us. Although we strive to have them arrive in 1-3 working days with rural, public holidays, weekends, or unforeseen circumstances, this can take longer, depending on the shipping option, location and payment option you chose.
Once your order has been dispatched, you will receive a confirmation email with tracking details.
Please note: orders containing personalised or customised items may require additional processing time. Any extended timeframes will be clearly communicated at checkout or in your order confirmation.
Shipping Rates
Shipping is always FREE within New Zealand.
P.O. Boxes
We are currently unable to ship to P.O. Boxes. If a P.O. Box address is given by mistake we will contact you and this may cause a delay with the delivery of your package.
International Delivery
We don't currently ship outside of New Zealand, but if you aren't in New Zealand and see something you like, email sales@oceania-audio.co.nz and we will try to help you out.
Damaged, Lost or Missing Orders
If your order arrives damaged, incorrect, or is missing items, please contact us within 48 hours of delivery at sales@oceania-audio.co.nz with:
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Your order number
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Clear photos of the item and packaging
We will review each case individually and work towards a fair resolution in line with New Zealand Consumer Guarantees Act obligations.
Contact Us
If you have any questions about shipping, delivery, or your order, please contact:
sales@oceania-audio.co.nz
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Call +64 9 845 7800 or Contact us

